Profundi
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Profundi – Coffinborn
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Biography
It should come as no surprise to those familiar with Jens Ryden’s previous solo-album “Entombed in the midnight hour” that Rydén leaving Swedish black metal band Naglfar would by no means mean the end of his musical endeavors. While Naglfar sailed on, simultaneously releasing perhaps their best album to date with “Pariah” and new vocalist Kristoffer Olivius firmly taking his place as an outstanding singer and frontman, Jens stayed out of the spotlight, biding his time and now 2 years after the split has emerged under the moniker Profundi
…
, laying waste to small countries, burning babies and pleasing all those who thought things were better back in ’95.
The first thing that needs to mentioned is the impressive skills with which Rydén handles the music of the album. Playing all guitars, keys and bass himself, as well as programming drums, doing artwork and of course singing you’d think that at least one aspect should falter and bring down the rest. Not so. It pains my failed-musician’s-heart but everything on “The Omega rising” sounds great, the guitars churn out melodic black metal riffs that swarms and attacks the listener while the bass and drums repeatedly hammers down the point for those slow on the uptake. This is good shit.
The music can’t escape the comparisons to Naglfar, the trademark sound (not to mention the unintelligible but vicious vocals) and riffs are there as well as the way the songs flow and are constructed. It’s no surprise nor is it a bad thing, Rydén was one of the founding members and helped shape the bands sound into what it was at the time of him leaving around “Sheol” so of course the similarities will be there.
The first thing that needs to mentioned is the impressive skills with which Rydén handles the music of the album. Playing all guitars, keys and bass himself, as well as programming drums, doing artwork and of course singing you’d think that at least one aspect should falter and bring down the rest. Not so. It pains my failed-musician’s-heart but everything on “The Omega rising” sounds great, the guitars churn out melodic black metal riffs that swarms and attacks the listener while the bass and drums repeatedly hammers down the point for those slow on the uptake. This is good shit.
The music can’t escape the comparisons to Naglfar, the trademark sound (not to mention the unintelligible but vicious vocals) and riffs are there as well as the way the songs flow and are constructed. It’s no surprise nor is it a bad thing, Rydén was one of the founding members and helped shape the bands sound into what it was at the time of him leaving around “Sheol” so of course the similarities will be there.
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