After releasing Total Exposure, a stopgap live album recorded in Scotland in mid-1981, the Poison Girls returned in 1982 with a newly skilled and sophisticated sound on Where’s the Pleasure, which found Subversa streamlining her material to focus solely on the subject of sex. By the 1983 EP I’m Not a Real Woman, the band had virtually abandoned its punk roots in favor of Celtic folk singing and cabaret-styled pop; 1985’s Songs of Praise even found elements of funk creeping into the mix.
In the late ’80s, the Poison Girls called it quits. A four-CD retrospective, Statement: The Complete Recordings 1977-1989, was issued in 1996.
Edited by [deleted user] on 26 Nov 2006, 22:07
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