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Paul Haslinger


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Austrian-born Paul Haslinger has secured a distinctive reputation for composing film scores, which incorporate both robust classical elements and compelling electronica. Formally trained in his hometown of Linz, Haslinger ventured to Vienna, where he continued his classical studies while exploring the new domain of electronic music. Auditions for the band Tangerine Dream led to a five year collaboration, four albums, and several films, including Miracle Mile, Near Dark, and Canyon Dreams.

After his “Dream” period, Haslinger released three solo albums and scored two landmark animated science-fiction films, Planetary Traveler and Infinity’s Child. He continued perfecting his film scoring skills as the programmer for Graeme Revell, supplying memorable textures and atmospheric style to Blow, the Negotiator, The Siege, Pitch Black, and Tomb Raider, to name a few.

Haslinger earned his first solo credit as a film composer for the 2000 movie Cheaters, directed by John Stockwell. Since then, he has worked on Stockwell’s Crazy/Beautiful, Blue Crush, and last summer’s Into The Blue, starring Jessica Alba and Paul Walker.
2002 found Haslinger composing and producing musical segments for Steven Spielberg’s thriller Minority Report. In 2003, Haslinger scored Len Wiseman’s Underworld, his first film to open #1 at the US box office. In recent years, Haslinger has made a conscious effort to expand and diversify his work.


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  • eN4ez

    The Miami Driftιllιlι.ιl..ιllιlι.ιl..ιllιlι.ι

    7 May 11:30pm Reply
  • aphoticapathy

    Eternity And A Day (Prophet Remix) <3 [3] A nice remix it is!

    8 Apr 12:55am Reply
  • Rii_XxL

    Eternity And A Day (Prophet Remix) <3 [2]

    28 Feb 2014 Reply

    Eternity And A Day (Prophet Remix) <3

    19 Feb 2014 Reply
  • aphoticapathy


    10 Mar 2013 Reply
  • reborn__phoenix

    Does anyone know, by any chance, where can be found his track "Slide", from "The Mothman Prophecies" ?...

    15 Feb 2013 Reply


    24 Jul 2012 Reply
  • Zypraxa

    "World Without Rules" is very compelling material. Redolent of Ulf Söderberg - the tribal, often frenetic atmosphere - but far less Teutonic and more eclectic in its inclusion of global styles. I thought I would revile the electronica, but the confluence of dramatic African percussion and mid-90's post-rave techno is refreshing... the whole mélange co-operates assiduously to produce an exceptional whole. Cheers Paul. I absolutely loathe the Underworld films and all of Statham's generic braggadocio pictures, but what are the soundtracks like?

    7 Jul 2012 Reply
  • WasNotWhyNot

    I was very impressed with the three musketeers. the score anyway. the movie, well, its script is fucking atrocious.

    28 May 2012 Reply
  • NanneTolsma

    The first part of eternity and a day (till 2:05) is one of the most epic pieces of music ever made.

    10 May 2012 Reply
  • Insomniumz

    Underworld <3

    9 Apr 2012 Reply
  • Vulgaira


    6 Jan 2012 Reply
  • Jas0nGraY

    Crank OST is awesome!

    27 Nov 2011 Reply
  • Clackers

    Not impressed with The Three Musketeers. The Venice Heist is the best track for me, but overall it is not remarkable.

    9 Nov 2011 Reply
  • MrZimmerFan

    The Three Musketeers is going to sale at 18th October, but in Europe at 27th September

    23 Sep 2011 Reply
  • 24db

    The Zest: the unofficial Tangerine Dream newsletter:

    5 Dec 2010 Reply
  • CheefBrody

    Just got Takers Amazon cd-r edition, and sadly I agree with Julia, something really missing... can't be compared with Paul's great usual work, in other way his score for the 2009 thriller "After Life" starring Liam Neeson is great ! Unfortunatly no label have published this music to the public, even in mp3 lossy format...

    4 Dec 2010 Reply
  • Angamerethwen

    Got the Takers score by Haslinger today ... it's good, but ... something's missing ...

    15 Sep 2010 Reply
  • Karakatik

    Super good music!!

    17 Aug 2010 Reply
  • MetallicaXYZ

    I like the Rainbow Six Vegas Soundtrack

    1 Aug 2010 Reply
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