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Austrian-born Paul Haslinger has secured a distinctive reputation for composing film scores, which incorporate both robust classical elements and compelling electronica. Formally trained in his hometown of Linz, Haslinger ventured to Vienna, where he continued his classical studies while exploring the new domain of electronic music. Auditions for the band Tangerine Dream led to a five year collaboration, four albums, and…

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  • The Miami Driftιllιlι.ιl..ιllιlι.ιl..ιllιlι.ι
  • Eternity And A Day (Prophet Remix) <3 [3] A nice remix it is!
  • Eternity And A Day (Prophet Remix) <3 [2]
  • Eternity And A Day (Prophet Remix) <3
  • Underworld.
  • Does anyone know, by any chance, where can be found his track "Slide", from "The Mothman Prophecies" ?...
  • бро
  • "World Without Rules" is very compelling material. Redolent of [artist]Ulf Söderberg[/artist] - the tribal, often frenetic atmosphere - but far less Teutonic and more eclectic in its inclusion of global styles. I thought I would revile the electronica, but the confluence of dramatic African percussion and mid-90's post-rave techno is refreshing... the whole mélange co-operates assiduously to produce an exceptional whole. Cheers Paul. I absolutely loathe the Underworld films and all of Statham's generic braggadocio pictures, but what are the soundtracks like?
  • I was very impressed with the three musketeers. the score anyway. the movie, well, its script is fucking atrocious.
  • The first part of eternity and a day (till 2:05) is one of the most epic pieces of music ever made.

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