In a career spanning over twenty five years, Paul Dolden has perfected his unique approach to audio technology, using it as a platform from which to launch or capture otherwise impossible musical performances. In this way, he makes his computer behave like a new, virtual orchestra and manipulates it with as much sensitivity as he would a traditional one. His compositions are characterised by a maximalist aesthetic in which hundreds of digitally recorded instrumental and vocal performances are combined in multiple layers.
Paul Dolden’s music has been described as the “missing link” between jazz and rock and the high-brow concert tradition. Critics have called it “music for the information age, enlisting noise, complexity and beauty in its quest for excess,” and characterised it as “apocalyptic hyper-modernism.”
The early works employ a unified approach to timbral and harmonic variation. Under the influence of post-modernism, Paul Dolden’s concerns have shifted to include the juxtaposition and superimposition of disparate musical styles evident throughout the Resonance Cycle of works (1992-96). Always working to surpass himself, with the Twilight Cycle of recent years Paul Dolden boldly investigates the forbidden fruit of contemporary new music—melody and dance rhythms.
Edited by Ex_Penumbrae on 7 Sep 2009, 18:19
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