Paranoiacs

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There’s little need to introduce The Paranoaics. Simply no other contemporary band has
left its mark so prominently on the Belgian rock scene over the last 25 years. Soon after
they blew everybody away at the local clubs with their powerful collision of punk, garage
and rock ‘n roll, they released their first mini-LP, We’re the Teenage Lovers. By the time
its follow-up album, the highly acclaimed , Sometimes Teenage Is Spelt T.N.T. and their

first full-length album, Bananas hit the stores, these guys had already established
themselves as the true kings of rock ‘n’ roll in the sonic wasteland that we now refer to as
the late eighties. What Mötley Crüe did to the LA rock scene, The Paranoiacs did for
Belgian rock. Except these guys didn’t have to dress like old tarts. The next decade
brought more highs (Pukkelpop 1990 with Faith No More, Nick Cave and The Cramps -
new albums, Thirteen and 7 Day Weekend). Meanwhile, The Paranoiacs showed their
evolution in the new millennium through the rare six track mini-album, Mini
Countryhead: Paranoiacs Go Country, including their celebrated version of Johnny
Cash’s (Ghost)Rider in the Sky that was also released in Japan.

Love Junks is the band’s lament for their unbridled love for women, but simultaneously
for their respect and true devotion for their sonic masters who showed them the way
throughout all those years in the rock ‘n roll jungle. The band succeeds to blend these two totally different, yet at the same time, very similarly powerful driving forces into a
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