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Paolo Pandolfo

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He began his research in the field of renaissance and baroque musical idioms around 1979 together with violinist Enrico Gatti and harpsicordist Rinaldo Alessandrini. Studied then with Jordi Savall at the Schola Cantorum Basiliensis in Switzerland. In 1982 he became a member of J.Savall’s ensemble Hesperion XX and played with him until 1990 throughout the world, and making dozens of recordings (among them Bach’s Kunst der Fuge, J.Dowlands Consort music, Neapolitan Renaissance Music , etc. etc.). In 1990, after the huge success of his first recording as a soloist (C. P.E.Bach’s Sonatas for Viola da Gamba), he was nominated as Professor of viola da gamba at his alma mater, the Schola Cantorum Basiliensis in Basel. Since this appointment, he concentrates his teachimg activities in Basel, whilst his performing carrier takes him all over the world, playing with artists such as Emma Kirkby, Rolf Lislevand, Rinaldo Alessandrini, Mitzi Meyerson, Jose’ Miguel Moreno and many others. Since 1992 he directs Labyrinto, a group of four or five viola da gambas, which is dedicated to the huge “consort music” repertoire. Paolo Pandolfo has recorded for radio and television stations world wide, and for record companies such as Astree, Emi, Philips, Erato, Harmonia Mundi, Tactus, Simphonia. Since 1997 all his recordings are by the spanish leading record company GLOSSA. He started his collaboration with them in 1997 recording the first world integrale of A.Forqueray’s “Pieces de Viole”, followed by “The Spirit of Gambo”(music by T.

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