OpethThe Moor (12:07)

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About This Track

The Moor is the first track on Opeth’s concept album Still Life and tells about a man who was shunned by his community. He was called an “ungodly freak - defiler”, and was “branded a Jonah with fevered blood”. He was beaten, burned, covered with mud, and banished from his town, returning 15 years later for his love Melinda, whom he had to leave behind when he was banished.
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  • intru_negru wrote:
    Tuesday morning
    works excellent with a lot of sun, palm trees and a good read.

    Leave intru_negru a shout

  • benpeers92 wrote:
    8 days ago
    There is nothing experimental or avant-garde about Opeth whatsoever.

    Leave benpeers92 a shout

  • Sculpy wrote:
    18 days ago
    @ JBT: What are those "experimental/avante-garde influences" that Opeth has?

    Leave Sculpy a shout

  • vacantwinterday wrote:
    last month
    "Had to go back to Still Life to cleanse my ears after the abomination that is Heritage, fuck." Same here. Let's just pretend that album never happened.

    Leave vacantwinterday a shout

  • ferociousdanny wrote:
    last month
    Oh my God, this just started on my radio and I am unbelievably pleased even though this is my 100th time listening to this song.

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  • JBThazard wrote:
    December 2011
    I find Damnation more of a Departure than Heritage. It was way more pop-sounding and despite being clean, sounded like very little other clean sections from previous Opeth albums. More melancholic but less gothic, not very acoustic, not a lot of blues/jazz/folk. Just very bleak and pretty soft rock. Heritage has more of the juxtaposition that Opeth stands for, which is by the way not death metal + clean music, but beautiful music balanced out with ugly/disgusting harmonies. There are instances where acoustic Opeth is evil and distorted Opeth is enlightening. For the record, I like Heritage, but I have familiarity with the more experimental/avant-garde influences of Opeth, as opposed to the cliche prog ones like Camel or similar 70's bands.

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  • Timppa2000 wrote:
    December 2011
    fuuuuuuuuck those last 2 minutes <3

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  • narmi wrote:
    November 2011
    To those defending Heritage - of course we accept that Opeth are a progressive band, but Heritage,IMO, is just plain awful. Some ok tracks on there but Mike's masturbation on record has gone to an extreme level. This should have been a solo record for Akerfeldt. I wouldn't have minded another Watershed to be fair - that record was killer. But Heritage proved to me that Opeth are, after all, human. Just not a fan.

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  • narmi wrote:
    November 2011
    Had to go back to Still Life to cleanse my ears after the abomination that is Heritage, fuck. [2]

    Leave narmi a shout

  • Metality wrote:
    November 2011
    I agree, by and large -- you seem to imply that Opeth weren't already extremely diverse, though, which I certainly do not agree with. But seeing as it's a rather big departure, I can understand that not everyone who likes Opeth's usual music -- which by default shows a level of open-mindedness in them -- will take a liking to it. I don't think it's GREAT myself, but it's certainly not bad. As for Damnation, I think that's how they should have done with Heritage (you know, for my own sake): release it sort of alongside an album that's more true to form. In other news, the RAH version of this song is FUCKING AMAZING.

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  • PeacefulDemon wrote:
    November 2011
    The hatred for Heritage is something I still can't understand, a band is supposed to do the same music all the time? Being progressive is a thing that all bands should have. They clearly got bored with the death metal so now they are doing something they have all wanted since beginning. Not that pre-Heritage albums were bad, they were all perfect as I like them too but I also loved Damnation and Heritage so much because they were fresh air, a difference they had to be. They are trying to make the same music of their idols and show their influences clearly, without them the Opeth we know would never exist in the first place, so you should show some respect to them because they made a original innovative album which some of you would never understand the idea behind idea. Bands don't have to satisfy the fans all the time, they should make music they want first.

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  • Metality wrote:
    November 2011
    Abba influences all up in this bitch [4] >implying Heritage is supposed to get you into DM [3]

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  • mrbean667 wrote:
    October 2011
    >implying Heritage is supposed to get you into DM [2]

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  • tiepgeit wrote:
    October 2011
    Opeth got me into IKEA furniture.

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  • JBThazard wrote:
    October 2011
    >implying Heritage is supposed to get you into DM

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  • TheAvenger_ wrote:
    October 2011
    Fuck Heritage. This is the Opeth which got me into progressive death metal.

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  • leechoflife wrote:
    September 2011
    Abba influences all up in this bitch [3]

    Leave leechoflife a shout

  • 2487 wrote:
    September 2011
    Perfect opener.

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  • McFearless835 wrote:
    September 2011
    The hands of God, decrepit and thin. Cold caress and then nothing.

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  • ElasticPlastic wrote:
    September 2011
    Had to go back to Still Life to cleanse my ears after the abomination that is Heritage, fuck.

    Leave ElasticPlastic a shout

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