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Returning after a two-year recording hiatus (during which bandleader Danny Elfman recorded a solo album), Oingo Boingo forsook the excesses of smart-aleck humor and quirky production that had led critics almost universally to dismiss the band's first four albums. The sound is still maybe just a bit too uptight and over-determined, but the horn charts are more focused and sophisticated, and Elfman has matured considerably as a lyricist. Alongside such typically oddball fare as the title track and a surprise… read more


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