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After an uncharacteristic (for her) four-year hiatus from recording, Nina Simone returned to the fringes of the pop world with Baltimore, the only album she recorded for the CTI label. While it bears some of the musical stylings of the period – light reggae inflections that hint of Steely Dan's "Haitian Divorce" – the vocals are unmistakably Simone's. Like many of her albums, the content is wildly uneven; Simone simply covers too much ground and there's too little attention paid… read more

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