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  • Sonata Arctica @ O2 Islington, London, 3rd December 2009

    4 Dec 2009, 23:15 by os_teriyaki

    Thu 3 Dec – Sonata Arctica, Delain, Winterborn

    (This'll be long. Don't read if you don't have any patience :P)

    Things that sucked:
    > Fucking music snobs >__>
    > Constant fear of being crushed + almost dying of heat exhaustion xD

    Things that rocked:
    > EVERY-FUCKING-THING ELSE :DDDD


    Context: This was my first Sonata Arctica gig. I've been a fan of them for the last two and a bit years, really fell in love with them when I bought Unia earlier this year and by the time they released The Days of Grays, they'd grown to become my favourite band.

    So you can guess I was just a *little bit* excited ;D


    First things first: queueing. And I am a fucking genius at this. Earlier this year I recommended Sonata to my cousin Sureya, who subsequently fell in love with them. And it just so happened that Sureya got there three hours early - an hour and a half before me, I think - and thus got us spaces ridiculously close to the front of the queue \:D/

    I think that counts as being a master of forward planning ;D

    Anyway so about five minutes after joining the queue, I endured Fucking Music Snob Event #1 - two trve metalheads asking me which Nightwish I liked, Real Nightwish or New Nightwish. Upon saying "Both!" with danger signs flashing in my eyes, they proceeded to regurgitate all the tired old psuedo-elitist crap that turns up on youtube ¬__¬ They were also responsible for Fucking Music Snob Events #2 and #3 - they looked down on me because it was my first Sonata gig (as if they'd never had a first gig) and weren't impressed that Sonata became my favourite band with Days of Grays *rolls eyes* Needless to say, I didn't like them much :P

    Luckily I was distracted from those annoying people by the arrival of my other gig buddies - my sister Chrissi (Chrissi-chan) and her friends Eibhlin (yapodurt), Harry (ChaosCalling) and Matt. I also found another fellow last.fmer, Darragh (Intimidator), and what with his friends as well we made quite a merry little group :D

    A slight grumble about being let in: I had to throw away my bottle of water WHICH WAS EMPTY AND HAD NO WATER IN IT. Because that makes PERFECT SENSE O.o

    Oh, and another queue anecdote: I didn't see this myself but apparently Delain tried to get in through the main entrance, but because they didn't have tickets they weren't allowed in xD They ended up holding up the queue for ages :P

    Venue: Pretty damn awesome :P 800 capacity, the perfect size of stage in my opinion. Just big enough for the band to move around but small enough that you can see everyone okay :)


    Support Act #1: Winterborn

    Winterborn were really great :D I only knew one song before the gig, PlayLast Train to Hell, but just that one song was enough to tell me that I would love their music and that it would really suit live performance, and I was absolutely right :) Unfortunately they didn't play that particular song, but it didn't really matter. I was very impressed with most of the songs (not that I can remember the names xD Wait, I tell a lie, they played The Land Of The Free, confusingly enough, and Last Man Standing) since there was quite a bit of variety and the musicianship was really very good.

    The singer is pretty good in Winterborn, but I was most impressed by their keyboardist and even more so their guitarist. The keyboardist had a nice style, and kept reminding me of Within Temptation's keyboardist (Martin Spierenberg or something, I can never remember his name ^__^;;). The guitarist was AMAZING (even if he did dress a bit like a pimp, to use Harry's phrase xD) - quite honestly one of the best guitarists I've ever seen. I completely didn't expect talent like that from such a small-time band, but his playing was intricate, varied and really fucking fast xD Basically he was awesome :3

    Oh, one down point though - I thought the sound quality wasn't too great. I don't know whether they fixed it for Sonata or I was just too excited to notice, but it wasn't a problem for the main set, nor really for Delain.

    Verdict: 8/10


    Support Act #2: Delain

    I remember when Delain was announced as a support band I heaved a sigh of "Oh well, I suppose it could have been worse." At that time I really didn't like Delain very much but I gave them another go and this time I really enjoyed them. Even so, I didn't think they'd be all that great live, just because the music isn't so heavy, but I was proved wrong :) The performance was absolutely *made* by Charlotte Wessel - what a fantastic vocalist!! Normally I get slightly disappointed by female vocalists when they sing live (a huge number of them are at least slightly flat or sharp) but Charlotte's voice stayed pure and powerful the whole time. She really gets into it, too, headbanging away. And, without wanting to sound like a typical girl, her outfit was really fucking awesome *__* I *want* her coat, dammit!

    Another special mention should go to Ewout Pieters. He's Delain's brand new guitarist and this is his first tour, and by god he's awesome :P He spent most of the gig glaring and leering around at us in this really creepy-awesome way; he just added so much extra atmosphere to the performance. Obviously I've never seen Delain without Ewout but I really can't imagine it'd be as good.

    On to the songs, then. Winterborn had played about seven songs, I think, and Delain played about the same, maybe a few more. No April Rain, unfortunately (that's my favourite Delain track, easily), but there were still several I recognised - Shattered, Stay Forever and The Gathering. The latter was the most enjoyable for me, partly because I was busy doing my Mr. Marco Hietala impressions to make up for his absence xD

    Verdict: 7/10


    After having to wait a while before Winterborn and longer before Delain, you can imagine we were starting to get a bit edgy. Things were made worse for me by the fact that my perfect view of Henkka's stage-area was diminishing as people kept moving around ;___; I'd specifically headed over to the right because after Tony, who leaps around like a crazed monkey and visits all areas of the stage, Henkka is my favourite member of Sonata Arctica and I absolutely adore his keyboard solos. Throughout Winterborn's set, I had a perfect view of their keyboardist - throughout Delain's set, I had a perfect view of Ewout - but it was starting to look like I wouldn't be able to see my dear Henkka ;____;

    Here occurred Fucking Music Snob Event #4: *scoffing tone* "No one wants to see Henkka." ::RAGE AND ANGER::

    A few minutes' distraction came when the music being piped in suddenly became Stand My Ground from Within Temptation's An Acoustic Night At The Theatre album. I hadn't heard this version before and to be honest, it sounded a bit limp, but me and Chrissi had fun singing along to it at the top of our voices xD In fact, the annoying guys from the queue said, "We thought Sharon den Adel had turned up for a minute!" So I guess even Fucking Music Snobs can be nice sometimes :P

    THE MINUTES DRAGGED BY and the instruments were tested over and over again. And there are only so many times you can fangirl over Heikki/Chiddy (not a slash pairing, he has two names xD) before you start to notice the way he's done his hair is really lame xD But just when I'd almost given up hope...


    ...THE LIGHTS WERE DOWN.



    Headliner: Sonata Arctica

    [Pidän Sonata Arcticasta <-- I just got told it means "I like Sonata Arctica" xD]

    ... and the intro music that flowed out from the speakers was PlayEverything Fades To Gray (Instrumental) - the slightly slowed-down, lower-pitch version that they use for opening gigs. Obviously something that's a great opener for an album is going to be a great opener for a gig too, and Everything Fades to Gray was no exception :) Atmospheric, tense...

    And then Tommy stepped out behind his drums, and my brain kind of thought, "Hey, there's someone who looks a lot like Tommy. But it can't *actually* be Tommy. That isn't possible!" xD Next onto the stage was Henkka, I think, and - credit where credit's due - the annoying queue people proved once again that Fucking Music Snobs are kind, deep down, because one of them ducked well out of my way so that I had a clear and up-close view of my Henrik \:D/ Then Elias came onstage, and then Tony - which confused me, because surely Make should come out before Tony? For one horrible moment I thought Make was sick and couldn't play but thankfully he was just lurking in the shadows. A bit late in his career to get stage fright, I thought :P

    > Flag In The Ground
    So this was the first song of the gig and what a great first song it was :D For proof of the impact of this song, just take the fact that three seconds in, EVERYONE was shoved forward as the crowd exploded with... something. I don't actually know what happened. Maybe something actually did explode, but in any case because of Flag in the Ground we spent the rest of the gig trying not to get crushed or crush anyone else xDD We were ridiculously close to the barriers (only two rows of people in front of us) so I was very conscious of trying to preserve those people's ribs xD

    The song itself was brilliant, of course :) I loved it immediately when I first heard it, such a great track, and the high-energy is a perfect start to the gig. I can't remember too much of the actual happenings because I was very keen to get a good look at all the band members. Despite being so close, there were so many heads and arms everywhere it was pretty tricky to see, but when I did get a clear view, OH MY GOD, it was so worth being that close :DD Every single one of them is that much more magnificent when you see them up close. Larger than life, and more beautiful to me than anything. I don't even care how stupid that sounds because it's damn from the heart. These guys are something special :3

    And the voice, the VOICE! I was absolutely *astounded* by Tony's performance D: The guy has been ill for two weeks. They've had to cancel five gigs on this tour and from the very few videos I watched on youtube, his voice on the gigs that went ahead was surprisingly good BUT you could hear the weakness in it. He couldn't get the high notes, for example. But for us he was PERFECT :') As luck would have it, that incredible voice is back with a vengeance, and he sang for us so well the entire night. Fucking unbelievable. The man is a legend, and I stand in awe of him. Now for god's sake just *stay healthy*, Tony, please!! xD

    > Paid in Full
    My avatar!! \:D/ *celebrates* Paid in Full really, really is brilliant live :D I love when Tony sings "Every tear, every smile, paid in full...", tracing tears down his cheeks and turning it into a smile x) And then there was Henkka's amazing keytar solo!! I love that solo so much and as luck would have it, during Flag in the Ground my view had cleared once more and I got a perfect view of Henkka's solo! ::SCORE::

    > Caleb
    (Fucking Music Snob Event #5: "This is the only good song from Unia." :facefist: His face. My fist <__<)
    Tony: "So William Shakespeare had Romeo and Juiet. And we have Caleb and Juliet."
    Tony said at the Lowlands gig that he thinks Caleb is one of the best songs they've ever written and I absolutely have to agree. It's just perfect, there isn't a single thing wrong with it! And of course the performance was fantastic :) Tony's vocals were amazing, especially on the "in my suite in hell~~" line. I also love how after the "until the end, waltzing together~" line, Tony actually starts waltzing around the stage. I would have done the same if I had had room xD And then at the end Tony got the whole crowd - rather awkwardly, given our squashedness - swaying from side to side. His crowd control is brilliant xD

    > PlayThe Last Amazing Grays
    I LOVE THIS SONGGG. First time I heard it was immediately after Deathaura, and I think it was disadvantaged by that fact, but it grew on me, and youtube-seeing them perform it at the Lowlands really made me fall in love with it. Tony said it took a big part of him to write this song, and you can really feel how important it is to him (to all of us, I guess). The keys were heart-wrenching as always, and just overall it was a fantastic performance of a fantastic song.

    > PlayAs If The World Wasn't Ending
    I was so happy when I saw this on the early setlists for this tour, and I was praying to gods I don't believe in for this to stay in the setlist. Along with Deathaura, Last Amazing Grays and The Truth is Out There, As If is one of my favourite songs from The Days of Grays (it's also responsible for the title of my fanfic ;D). Of course, it starts out as just keys and voice, and that part where all the guitars, bass and drums kick in was really powerful as a result. I was so happy to see Henkka's solo as well, because even though I like the orchestral version of the song without the solo, I think the solo is my favourite thing about As If the World Wasn't Ending. For me, it's a real Henkka song. I think it was probably the song I was most grateful that they played :)

    > FullMoon
    fufufufu xDD Well, of course I'm sure there were a lot of very antsy people in the audience by this point, since we had had five (six, including the intro) songs from the last two (and, criminally, least loved) albums. So I'm sure they were quite relieved when they heard the piano intro to FullMoon (I howled ;) )... and then Tony started yodelling. I'm not even joking xD (He was actually really good at yodelling, that was the worrying thing xD) Then they settled down and started again... only for Tony to start singing something else xD (it's something well known, but I couldn't place it) FINALLY they actually started the song, and it really is great live :) I've never really raved about it for the studio, but I think it's Make's galloping bass that really gives it strength live. It just keeps on going x)

    I think the guys had fun playing it too x) At the lyric "knock on the door", Tony pretended to knock on Elias' head (Elias had come over to our side! Celebrations!! :D) Tony also decided to stroke Henkka's beard, which basically ended up in a miniature slap fight as they both tried to battle for supremacy whilst continuing to sing/play xDD Well, it made me happy... see my fanfic for more details xDD

    > Last Drop Falls
    Much to some people's annoyance (Fucking Music Snob Event #6), Sonata spiced this one up a bit by having Charlotte from Delain come on and sing it instead. And she did surprisingly well, I thought, considering that whilst a lot of it is high for a male voice, a lot of it is low for a female voice ^__^;; In fact, I thought her timbre really suited the song nicely, though of course I'm not going to pretend I wasn't happy to see Tony come back onstage and share the last chorus with her. Charlotte is great but for me Tony Kakko is *the* best singer in the universe x)

    > PlayJuliet
    I'm not sure this was exactly where the song came in the setlist, but it was roughly here xD Tony introduced it in exactly the same way as Caleb, which was either intentional or we can let him off because he's still recovering from the illness xD This was the last song I got into on Days of Grays (I still haven't really gotten into Breathing) but it's now one of my favourites. It certainly gets stuck in my head ALL THE TIME and the lyrics are really good, I think :) It worked live a lot better than I thought it would actually. It was great to scream MINUTE OF SILENCE!! over and over, although I'm not sure anyone else did it, it might have just been me on my lonesome ^__^;;

    Well anyway, when the power came back in with the line, "How hard is it to understand my wish to die hand in hand?" (one of my favourite parts of any song ever) it just felt so amazing, really fucking.. I don't have words but it was brilliant :)

    Then everyone left the stage except for Mr Henrik Klingenberg, because as some ambient music poured out of the speakers, it was time for Henkka's special solo :D And it was awesommme >ww< I mean, I would say that, because I love Henkka and keys and put them together and you have a combination that can only be beaten by Tony and a microphone :P I love the passion and feeling Henkka puts into his solos, and it really just sounded great :D

    And then as he called Elias onto the stage, we got to hear Henkka's lovely voice :D *dances* I love his accent so much xDD

    ELIAS' SOLO WAS AMAZING!! It was hard for poor short little me to actually see most of it (sobs) but the bits that I did see, his fingers were moving with such swift, fluid ease. And I absolutely love his soloing style. It's actually quite like Henkka's, very lyrical and emotive as opposed to trying to show off techniques and skills. It was really varied and interesting to listen to, and basically it made me even more excited about getting his solo album Fire-Hearted (which I'm getting for my birthday - in 5 days time! woohoo! xD)

    > Replica
    Months ago I predicted that we would probably get at least one of these three songs: FullMoon, Replica and 8th Commandment. I also said I wanted Replica most of all out of those three. Much to my dismay, then, I saw a setlist for earlier on the tour which left out Replica. As such I was overjoyed when this started playing out :D

    Tony: "I'm the man who lived next door~ And London sings?"
    London: "LONG AGO~~~~"

    >ww<

    The only thing I don't like about their live performance of Replica was that it left off the very end of the song ;( But it still sounded good so I'm willing to forgive 'em x)

    > 8th Commandment
    YEAHHHHHHHHHHH!!!! xD This is such a great song, and what a way to celebrate ten years of Ecliptica \:D/ (Tony: "It's all grown up, gone to grade school, even told us to fuck off... we've brought it up well" xDD) Fast songs like this are ALWAYS good live, and Elias, man, he was fantastic over there on guitar :D Me, Chrissi and Darragh really got into this one, it was great fun to sing. And Tony gave the mic over to the audience for the final chorus. I have to say we sounded awesome ^.^

    I'm frankly amazed we managed to sound at all, actually, considering we were still being squished. Thank god for the security people and their cups of water that they kept handing out ^__^;;

    Anyways, earlier than I expected, Sonata left the stage. I guess they're doing the smart thing and keeping the setlist down a little bit just to make sure Tony doesn't push himself too hard and make himself ill again. In any case, I couldn't possibly be annoyed with them, because they actually came back - well, Tony came back xD - very quickly for the encore rather than keep us waiting ^w^

    Tony: Do you want some more?
    London: YEAH!
    Tony: Do you want some more?
    London: YEAH!
    Tony: Do you want some more?
    London: YEAH!
    Tony: DO YOU WANT SOME MORE?
    London: YEEEEEEAHHHHH!!!!

    And so on and so forth. Tony's quite the tease, it transpires ^.^

    It was now, of course, time for the audience drumkit/We Will Rock You singalong :D Tony gave us a truncated version, I think to still take care of his throat, which comprised of almost no banter, and just straight on with We Will Rock You. It was still fun, especially when Tony forgot the lyrics at one point >w< But my main drumkit memory is still going to be from that video which I have watched far too many times on youtube ("really fucking loud in my in-ear monitor")

    (I really do love that video >www<)

    > In Black and White
    Normally I would be be upset when reaching the encore, not wanting it to end, but not for this gig for two reasons: one, that we were still slowly dying of heat exhaustion, and two, that Sonata's current encore songs are the fucking best live songs you can play :D In Black and White is one of my favourites ever and to be honest, this is the song that made me really truly fall in love with Sonata Arctica. It was the song that, when I listened to it, made me think, "Why the hell does everyone complain about Unia? This is brilliant!!" I played it so much and it still hasn't been beaten from the top spot of my Sonata scrobbles :P

    So what to say about this performance? Just that it was perfect, magnificent, vibrant... Tony's vocals were again amazing... Oh, and Tommy had taken off his shirt since 8th Commandment \:D/ I certainly wasn't going to complain about that, fufufu~~ >ww< I have quite the soft spot for Tommy ;D But back to the song - I love Tony's "tables turn" movement that he does, and his "screaming your nightmare's name" scream was brilliant, but my favourite part of the song is probably the "diving into seas of sin without knowing where lies the bottom" line. It's just such a gorgeous riff, it sounds so goood! x)

    > Don't Say a Word
    The song that made me buy Reckoning Night :P This has always been one of my favourites and it's certainly one of the greatest to play live. It's lovely and long and it just keeps getting more and more interesting! I have to say though, I made a grave error during this song. Whilst headbanging I felt my glasses starting to fall off my face, so I decided to take them off - whilst headbanging. Anyone who has really long hair and wears glasses can probably tell where this is going.

    Yes, my still-headbanging hair got caught in my glasses. Yes, I looked like a twat whilst trying to wrench them free so that I could return my attention to the stage xD

    Fortunately I got my glasses free and was able to headbang safely, probably annoying everyone around me, and then returned my glasses to my face in time to watch Henkka's solo, and then Elias'. OH MY DAYS. I absolutely love the guitar solo in Don't Say A Word - whenever I watch the music video and I see Jani's fingers going like that, my jaw just drops to the floor and I can't go pick it up because I would miss the awesome!! And Elias delivered with just as much style and perfection - AND I could see it! \:D/ Ahh, it was brilliant ^w^


    Is there something you need?


    Is there something you want?


    Is there something you yearn?


    Oh yes, it was time for the Vodka song ;D It's really stupid but so much fun, a great bit of audience participation to finish the gig with :3

    Finish? Did I say finish?

    > PlayEverything Fades to Gray (Full Version)
    Except, confusingly, not the *full* full version O.o After vodka, they dived straight in with When it all ends~~ and OH MY GOD DX If I thought it was the best ending to an album ever, it's just as good to end a gig with! Just the sheer force of those melodies, really really incredible... With all the different vocal parts, it sounded amazing, and then when it finished, Tony just stood there, holding the microphone stand, until the song finally finished.

    Then their outro music started up and Tony's intense demeanour was instantly replaced by his trademark grin >w< The outro music was the main theme from Band of Brothers, which is a really really gorgeous piece of music and perfectly suits the band. I didn't cry once during the gig, but I have gotten a bit teary-eyed a couple of times today because of listening to that theme ;D It just sums up the perfection.

    So Tony came over to hug our side of the audience first ;D I'm sorry, but I think that's because he sensed my awesomeness, maybe? xD Well, I hugged him back, and I saw some others doing that too :) Elias came over and threw some pics out, and Tommy threw us some of his drumsticks. My cousin Sureya managed to catch one, but someone else caught it too - I tried to help Sureya get it before I realised I was missing Sonata and stopped (it was only later that I realised I'd unwittingly touched something Tommy touched. Scorre! xD)

    I love Sonata's bow x3 How they stand back, run forward and lift Tony into the air, his legs flailing like the loveable little child he is :') We yelled our thanks; I shouted "Kiitoksia!" and "I love you Tony!" but of course the words were lost. All too soon they were leaving the stage, but Tony lingered right til the end of the music. I got the feeling he really didn't wanna go :)

    And so that was that. No flashy pryotechnics, no silly gimmicks, just five fantastic musicians playing a bunch of truly sensational songs. Absolutely fucking perfect. I wouldn't dream of asking more from them, except to say, "There'll be a next time, right?"

    Verdict: 10/10.


    Well, did you really expect any less? ;D


    Afterwards I just turned and hugged Chrissi wordlessly, and then we felt Matt's arms around us too. Matt, by the way, had lifted me up at some point towards the end, so that I had a completely unobstructed view - it was awesome and just put the icing on the cake ;D I turned to Harry, and I have never ever seen him looking so happy. For everyone concerned, the gig was a ridiculous success :)

    It was then, as we were trying to replenish the H2O in our systems, that I saw Charlotte and Ewout from Delain, hanging around at the back of the venue. Now I'm terrible at talking to strangers (I had to introduce myself to Darragh by writing, "Are you Intimidator?" in my notebook and holding it up, for god's sake xDD) but somehow I had the courage to go up to Ewout and shake his hand and tell him, "Fucking awesome show tonight!" He looked really pleased I thought so (or maybe that was just my imagination, haha xD) and after a few moments' hesitation, I went and congratulated Charlotte as well. She was really nice and easy to talk to and seemed very apologetic about the lack of April Rain, at which point I felt I ought to clarify that by pointing out its exclusion I wasn't actually criticising her ^__^;; Bless her... And I made her laugh, too, because I sat down on the floor and said, "Ahh, that's fucking better," looked up, and she was laughing. SCORRE x3

    I'd planned not to set out to meet Sonata but something about my encounter with Ewout and Charlotte inspired me - I wanted to thank Tony and the guys face to face, if I could, so that they could really see how grateful I am to them for the music and everything that comes with it. So we hung around for a while by the tourbus, reliving the gig moments with each other, quoting bits of youtube videos and Men in the North ("Playing sober was a mistake. Now we go back to the old style.")

    ... Eventually, of course, we had to call it a day - a bunch of VIP people were let in, and even then, by the time we decided to give up, there were only seven people still waiting for them. I felt like quite the dedicated fan ^w^ I just happened to be a dedicated fan with a train to catch ^w^;;

    Which we missed. ^w^;;

    But it was worth it :D


    And since I couldn't thank them face-to-face, this'll have to do:
    > Thank you, Marko Paasikoski, for your awesome bassing, for standing in a good place for Chrissi to see you, and for just generally looking far too edible to be allowed :P
    > Thank you, Elias Viljanen, for being such a fantastic guitarist, for the really fucking weird faces you pull sometimes when soloing, and for everything you bring to Sonata :)
    > Thank you, Tommy Portimo, for deciding to make your living from hitting things all night, for taking your shirt off at the end and for providing me with my "gig feeling" picture (see below x3)
    > Thank you, Henrik Klingenberg, for your absolutely incredible keytaring skills, for your feeling and passion, for providing several lovely slashy moments with Tony, and for your singing (I do love your singing ^ww^)
    > And of course, most of all, thank you, Tony Kakko, for creating such magnificent songs, for writing such amazing lyrics, for having such a fantastic voice, for actually turning up at all, for your sincerity, and for the fun you always seem to have. I love you, not in that blind, over-the-top fangirly way, but because to me you are someone who's got everything right. You see the beauty and the sadness and yet life is positive for you. You make life good for the rest of us too :)



    And that, I think, is that! Except to say, this is how I felt after the gig:





    And also, for anyone wondering what the whole "Too metal for one hand" thing is about, this is where it comes from:




    SONATA ARCTICA:
    TOO FUCKING METAL FOR ONE HAND!!! \mm/
  • My Favorite Songs Of Every Band I Like

    4 Dec 2009, 17:00 by Corowhite

  • Another "How Varied Is Your Music Taste?"

    3 Dec 2009, 18:56 by NoooFun

    First, make a list of your top-20 artists overall. Then, for each of these artists, add the 8 most similar artists to your list. Delete any duplicates, count up the number of entries on your list and this will give you some idea of how eclectic your listening habits are. A score of 9 represents an extremely unvaried musical taste while a 160 represents an extremely varied one.

    #1 Madonna
    1 Kylie Minogue
    2 Janet Jackson
    3 Cher
    4 Lady GaGa
    5 Britney Spears
    6 Danii Minogue
    7 Cindy Lauper
    8 Spice Girls

    #2 Marilyn Manson
    9 Marilyn Manson & The Spooky Kids
    10 Nine Inch Nails
    11 Rob Zombie
    12 Rammstein
    13 Deathstars
    14 John 5
    15 KoЯn
    16 Dope

    #3 Crass
    17 Flux of Pink Indians
    18 Conflict
    19 Subhumans
    20 Rudimentary Peni
    21 Zounds
    22 Poison Girls
    23 Dirt
    24 Aus-Rotten

    #4 Icon of Coil
    25 Combichrist
    26 Rotersand
    27 Panzer AG
    28 Covenant
    29 Assemblage 23
    30 Seabound
    31 Neuroticfish
    32 Apoptygma Berzek

    #5 Combichrist
    Panzer AG
    33 Icon of Coil
    34 Suicide Commando
    35 Grendel
    36 Noisuf-X
    37 Aesthetic Perfection
    38 Agonize
    39 :wumpscut:

    #6 London After Midnight
    40 Fear Cult
    41 Clan of Xymox
    42 All Gone Dead
    43 Cinema Strange
    44 Diary of Dreams
    45 Rosetta Stone
    46 Christian Death
    47 Two Witches

    #7Nightwish
    48 Tarja
    49 Epica
    50 Within Temptation
    51 Delain
    52 Vision of Atlantis
    53 Leaves' Eyes
    54 After Forever
    55 Sonata Artica

    #8 Megadeth
    56 MD.45
    57 Anthrax
    58 Testament
    59 Slayer
    60 Exodus
    61 Kreator
    62 Pantera
    63 Annihilator

    #9 Fun People
    64 Boom Boom Kid
    65 Cucsifae
    66 Eterna Inocencia
    67 Loquero
    68 El Otro Yo
    69 Shaila
    70 Flema
    71 2 Minutos

    #10 Immortal Technique
    72 Jedi Mind Tricks
    73 Poison Pen
    74 Akir
    75 OuterSpace
    76 Ill Bill
    77 Sabac
    78 dead prez
    79 Army of the Pharaohs

    #11 Propagandhi
    80 I Spy
    81 Dillinger Four
    82 Good Riddance
    83 Strike Anywhere
    84 Bigwig
    85 None More Black
    86 A Wilhelm Scream
    87 Dead to Me

    #12 Social Distortion
    88 Mike Ness
    89 The Bones
    90 Rancid
    91 Lars Frederiksen and the Bastards
    92 Pennywise
    93 Backyard Babies
    94 Street Dogs
    95 The Bouncing Souls

    #13 Siouxsie and the Banshees
    96 The Creatures
    97 Siouxsie
    98 Bauhaus
    99 X-Mal Deutschland
    100 The Glove
    101 Alien Sex Fiend
    Christian Death
    102 Skeletal Family

    #14 1200 Micrograms
    103 Talamasca
    104 Astrix
    105 GMS
    106 Hallucinogen
    107 Infected Mushroom
    108 Shpongle
    109 Electric Universe
    110 Astral Projection

    #15 Depeche Mode
    111 Dave Gahan
    112 Martin L. Gore
    113 Recoil
    114 Camouflage
    115 De/Vision
    116 Erasure
    117 And One
    118 Pet Shop Boys

    #17 Atmosphere
    119 The Dynospectrum
    120 Brother Ali
    121 Slug
    122 Eyedea & Abilities
    123 Sage Francis
    124 Murs
    125 Mac Lethal
    126 Aesop Rock

    #16 Eminem
    127 D12
    128 50 Cent
    129 Obie Trice
    130 Stat Quo
    131 Benzino
    132 Proof
    133 Dr. Dre
    134 2Pac

    #18. Mind.In.A.Box
    135 Edge of Dawn
    Seabound
    136 Pride and Fall
    Rotersand
    137 Liquid Divine
    138 Syrian
    Neuroticfish
    139 Code 64

    #19. Black Sabbath
    140 Ozzy Osbourne
    141 Judas Priest
    142 Dio
    143 Heaven and Hell
    144 Deep Purple
    145 Motörhead
    146 Iron Maiden
    147 Rainbow

    #20. Angelspit
    148 Ayria
    149 Helalyn Flowers
    150 Zombie Girl
    151 I:Scintilla
    152 Pzychobitch
    Combichrist
    153 Hanzel und Gretyl
    154 Psyclon Nine

    That took time -.-

    My score is 154/160 :D
  • Bands I've seen :)

    3 Dec 2009, 03:54 by LickleShrew

  • Why I Stopped Using Pandora

    30 Nov 2009, 09:40 by wingkon

    So, some people complain about the comparisons that Last.fm makes. Well check this out. Here are a few ridiculous comparisons Pandora made. I don't know if they changed them yet or not, but here are a few that I've seen. I'll add more. Feel free to contribute, if you've noticed anything like this on Pandora.

    Arch Enemy and Pantera
    Atreyu and Rise Against
    Bullet For My Valentine and Rise Against
    Bullet For My Valentine and Breaking Benjamin
    Cradle of Filth and Children of Bodom
    Cradle of Filth and Arch Enemy
    Dido and Enya
    Disturbed and Linkin Park
    Emilie Autumn and Within Temptation
    Emilie Autumn and Nightwish
    Eths and As I Lay Dying
    Eths and Atreyu
    Evanescence and Seether
    Evanescence and Linkin Park
    Evanescence and 3 Doors Down
    Evanescence and Three Days Grace
    Lacuna Coil and Flyleaf
    Metallica and Guns N' Roses
    Kittie and System of a Down
    Kittie and Flyleaf
    Metallica and AC/DC
    Opeth and In Flames
    Otep and System of a Down
    Pantera and Rob Zombie
    Pantera and Alice in Chains
    Pantera and Tool
    Twisted Sister and Metallica

    A few trends I've noticed:
    Many metal bands comapred to Tool and A Perfect Circle
    Many melodic death metal or metalcore bands compared to In Flames.
    Pretty much every metalcore band comapred to Killswitch Engage, All That Remains or As I Lay Dying
    Any nu-metal, and a other types are compared to Slipknot, Korn or Mudvayne
    Any female fronted gothic/symphonic is compared to Within Temptation and Nightwish
    Most hard rock bands compared to Breaking Benjamin
    And thrash metal compared to Metallica or Megadeth
    And female fronted pop-country compared to Taylor Swift or Carrie Underwood

    I could go on and on...
  • The Golden Age of Symphonic Metal - Review of Epica's Design Your Universe (2009)

    29 Nov 2009, 17:42 by Quispiam

    I was born in 1992, and if I could choose I wouldn't change it for a second. Sure, I was only four when Therion released Theli, considered one of the earliest symphonic metal albums, and I was only six when Nightwish released Oceanborn in 1998, but I have lived to witness the release of many great albums since the mid-2000's.

    This is what I concider the golden age of symphonic metal. Right here, right now. It is a genre that develop well on its own as well as into other genres - Leaves' Eyes blend it perfectly with folk music (Njord of 2009 for example) and Sonata Arctica earlier this fall released The Days of Grays which was the first album that really showed a mixture of power, prog and symphonic metal without one taking the overly control.

    A certain cliff in the history of symphonic metal was released only a month ago... Epica's Design Your Universe is the album I will speak of today.

    This phenomenal, epic, melodic, bombastic album kicks of with their best instrumental yet, the intro song Samadhi ~ Prelude ~, before entering Resign to Surrender ~ A New Age Dawns - part IV ~. DYU is the first album to continue the A New Age Dawns saga, first started on the 2005 album Consign to Oblivion. The first three parts told of the collapse of the Mayan civilization, and this 2009 release show the next three parts. To me, Resign to Surrender sounds like an amazing intro song, the perfect way to reawaken the saga in. It builds up perfectly, before finishing and leaving the scene for the next song (and the first video for the album), Unleashed. Unleashed is far from the best song of the album, but I understand they used it as a video. It is a real catchy song, and Simone sounds amazing in it. I can't see why it's their most popular on Last.fm, but still a great track.

    The fourth song on the album is Martyr of the Free Word, and here I must speak my mind. Why, oh why, couldn't this be the third song? I would much prefer it to be ahead of Unleashed, simply because Unleashed is a bit too grande and bombastic, whilst Martyr is more of a metal song. Resign to Surrender followed by Unleashed just doesn't sound as good as followed by Martyr of the Free Word. This aside, it's a really cool track, one of the more special on the album, with influences from oriental music in the vocal lines. Mark Jansen's grunts right after the chorus really is an amazing part that does the song.

    The next song is another more bombastic one - Our Destiny. I'm sad to say this is one of the weaker songs on the album, if I have to choose one. It is a great song, but compared to the rest of the album it's kind of dull. The thing is that it's too long... it's only 6 minutes, not much to Epica standards, but I feel it's a little too much. If it were to be cut down into at least 4:40, 5, it would be much higher in my ratings.

    Kingdom of Heaven ~ A New Age Dawns - part V ~ is the fifth chapter of the A New Age Dawns saga, and the longest song on the album at 13:35. It is an awesome track, especially the first eight minutes, but it's still a disappointment to me. Maybe I had too high hopes - before I heard it I saw an interview with Mark Jansen explaining how he had worked on the song for three years, and how he considered it their best by far. To me it's pretty low on the list of top tracks on DYU, after the title track, Martyr of the Free Word, Burn to a Cinder, and Resign to Surrender. As with Our Destiny, maybe this song would be much better if it were to be cut down, maybe with as much as three or four minutes. Another remark is the spoken parts in the second half of the song... I don't mind cheese, in fact I order a triple cheese sandwich listening to Stratovarius and Rhapsody of Fire, but these spoken parts really shift the song from epic to humorous, not a completely reparable damage I'm afraid.

    After an epic song like Kingdom of Heaven, it's often tough to hear another song right away. Many bands solve this problem with either putting an easier rock song right after (Nightwish's The Poet and the Pendulum was followed by Bye Bye Beautiful), or the epic song is the final track on the album. The dilemma here is how there are two epic songs, Kingdom of Heaven as well as the title track, which is put as the final song (a perfect choice, more of that later). So the choice was to have an interlude as the seventh track, entitled The Price of Freedom ~ Interlude ~, a clip of people speaking of the price of freedom being death and orchestral music in the background resembling of many horror pictures from the 1920's.

    The interlude leads elegantly into Burn to a Cinder, one of my favorites on the album. It is one of the more melodic songs, going back to the power metal territories of Consign to Oblivion and The Phantom Agony. The song ends with an epic moment leading into deep sorrow ("Why can't I bleed with you?") followed by the album's first ballad, the moving Tides of Time.

    To me, both Deconstruct and Semblance of Liberty are pretty standard symph metal songs - no big surprises, catchy choruses, nothing really special except for the speaking part in Semblance of Liberty ("Read... my... lips").

    The second ballad of the album is also the weakest song Epica has ever made. I was glad when they announced that Tony Kakko of Sonata Arctica would guest feature on the song White Waters, but this doesn't feel like Tony at all. All Tony touches turns to gold, but this is as far from gold as you could get. White Waters is not beautiful, it is boring and weird, and the only thing that saves it is that Semblance of Liberty leading into the final track of the album would be very weird. And the final track is gold.

    Design Your Universe ~ A New Age Dawns - part VI ~ is the best song Epica has ever written, and that's final. It is just perfect, from it's epic chorus ("We can't undo what we have done, so show us now what we've become") to its final, heartbreaking, whispering verse that always makes me weep.

    This is Epica's best release to date, and I'm really excited if they will ever top it, because let's face it.... this is the latest chapter in the history of awesome music.
  • I have a dream

    29 Nov 2009, 03:22 by The_Night_Head

    I have a dream that one day metal elitists will take their heads out their arses, and realise taste is purely subjective, such that "We hold these truths to be self-evident, that all genres are created equal."

    I have a dream that one day on the grim frostbitten hills of Norway, the black metalheads and the gangsta rappers will be able to sit down together at the table of brotherhood.

    I have a dream that one day even Gothenburg, a place sweltering with shitty melodeath, and rife with generic sellouts, will be transformed into an oasis of progressive soul nurturing music.

    I have a dream where bands will not be judged by how 'catchy their riffs are' but by how well they accomplish what they set out to do.

    Who's with me?

    Between the Buried and MeBurzumOpethDimmu BorgirNileDream TheaterNevermoreMastodonIsisNeurosisMeshuggahThe OceanMayhemDarkthroneEmperorSymphony XSikThAfter the BurialThe Dillinger Escape PlanBorisBehemothAgallochToolAyreonSlayerIn FlamesDeftonesLamb of GodNightwishChildren of BodomTriviumKatatoniaAmon AmarthDragonForceGojiraCradle of FilthArch EnemyDevilDriverStrapping Young Lad
  • Milestones

    27 Nov 2009, 10:41 by OrpheusBathory

    Last.FM Milestones1st track: (01 Nov 2007)
    Within Temptation - Sounds of Freedom
    1000th track: (12 Dec 2007)
    Tori Amos - Playi i e e e
    2000th track: (04 Feb 2008)
    Nightwish - Dead Gardens
    3000th track: (29 Feb 2008)
    Britney Spears - PlayI Love Rock 'N' Roll
    4000th track: (21 Mar 2008)
    Magica - The Living Grimoire
    5000th track: (16 May 2008)
    Fergie - PlayLondon Bridge
    6000th track: (06 Jun 2008)
    Britney Spears - Play...Baby One More Time
    7000th track: (26 Jun 2008)
    Bitter:Sweet - PlayBittersweet Faith
    8000th track: (16 Jul 2008)
    My Chemical Romance - This Is How I Disappear
    9000th track: (31 Jul 2008)
    My Chemical Romance - Interlude
    10000th track: (22 Aug 2008)
    Pitty - PlayA Saideira
    11000th track: (16 Sep 2008)
    UnSun - PlayWhispers
    12000th track: (16 Oct 2008)
    Kimya Dawson - PlayMy Mom
    13000th track: (14 Nov 2008)
    The Beatles - Yellow Submarine
    14000th track: (27 Nov 2008)
    Blackmore's Night - The Circle
    15000th track: (16 Dec 2008)
    Delain - Sleepwalkers Dream
    16000th track: (11 Jan 2009)
    Paramore - PlayDecode
    17000th track: (21 Jan 2009)
    Tarja Turunen - You Would Have Loved This
    18000th track: (04 Feb 2009)
    Super Junior - U
    19000th track: (25 Feb 2009)
    Lady GaGa - PlayPoker Face
    20000th track: (16 Mar 2009)
    BoA - I Did It For Love (featuring Sean Garrett)
    21000th track: (05 Apr 2009)
    A Fine Frenzy - PlayThink Of You
    22000th track: (28 Apr 2009)
    Nightwish - PlayThe Riddler
    23000th track: (18 May 2009)
    Xandria - Sisters of the Light
    24000th track: (13 Jun 2009)
    Jordin Sparks ft. Chris Brown - No Air
    25000th track: (05 Jul 2009)
    Britney Spears - PlayCircus
    26000th track: (19 Jul 2009)
    Plain White T's - PlayHey There Delilah
    27000th track: (21 Aug 2009)
    Nicholas Hooper - A Journey To Hogwarts
    28000th track: (20 Sep 2009)
    Diablo Swing Orchestra - A Tapdancer's Dilema
    29000th track: (18 Oct 2009)
    Rihanna - Umbrella (feat. Jay-Z)
    30000th track: (26 Nov 2009)
    Whitney Houston - PlayI Look To You
    Generated on 27 Nov 2009
    Get yours here
  • Songs

    26 Nov 2009, 22:34 by AlisterCrow

    Last.FM Milestones1st track: (06 Jun 2007)
    Angizia - Anastasia Spennocchi, 1920
    1000th track: (15 Jun 2007)
    Violet Stigmata - Rats
    2000th track: (08 Sep 2007)
    The Damned - PlayIs It A Dream
    3000th track: (22 Sep 2007)
    Nightwish - PlayWalking In The Air
    4000th track: (14 Oct 2007)
    Corpus Delicti - PlayLorelei
    5000th track: (29 Oct 2007)
    Enigma - PlayModern Crusaders
    6000th track: (24 Nov 2007)
    Deathstars - Tongues
    7000th track: (21 Dec 2007)
    Norther - PlayMidnight Walker
    8000th track: (10 Jan 2008)
    Кино - Война
    9000th track: (19 Jan 2008)
    Immortal - Demonium
    10000th track: (30 Jan 2008)
    Bauhaus - She's in Parties
    11000th track: (11 Feb 2008)
    Mylène Farmer - Désenchantée
    12000th track: (23 Feb 2008)
    Кино - В наших глазах
    13000th track: (02 Mar 2008)
    Diary of Dreams - Tears Of Joy
    14000th track: (14 Mar 2008)
    Cathedral - PlayWhores to Oblivion
    15000th track: (23 Mar 2008)
    Deathstars - Little Angel
    16000th track: (31 Mar 2008)
    London After Midnight - Nothing's Sacred
    17000th track: (11 Apr 2008)
    Bauhaus - Spy in the Cab
    18000th track: (18 Apr 2008)
    Inkubus Sukkubus - PlayPagan Born
    19000th track: (25 Apr 2008)
    Celtic Frost - PlayDawn of Megiddo
    20000th track: (22 May 2008)
    Pink Floyd - On the Run
    21000th track: (04 Jun 2008)
    Marilyn Manson - Rock Is Dead
    22000th track: (24 Jun 2008)
    Pink Floyd - Vera
    23000th track: (17 Jul 2008)
    Flogging Molly - Whisper Screaming At A Wailing Wall
    24000th track: (04 Aug 2008)
    Götterdämmerung - ROUGES IN A NATION
    25000th track: (14 Aug 2008)
    raison d'être - PlayKatharsis
    26000th track: (29 Aug 2008)
    Richard Marx - PlayRight Here Waiting
    27000th track: (09 Sep 2008)
    Ministry - PlayGrace
    28000th track: (03 Oct 2008)
    Icon of Coil - Pursuit
    29000th track: (25 Oct 2008)
    Bauhaus - The Spy in the Cab
    30000th track: (08 Nov 2008)
    Death in June - PlayDoubt to Nothing
    31000th track: (17 Nov 2008)
    Christian Death - PlayDream for Mother
    32000th track: (24 Nov 2008)
    Mad Sin - She’s So Bad It’s Good
    33000th track: (01 Dec 2008)
    Tiamat - 9. Planets
    34000th track: (24 Dec 2008)
    Dethklok - Bloodtrocuted
    35000th track: (07 Jan 2009)
    Concise - PlayAim
    36000th track: (28 Jan 2009)
    Scarlet's Remains - PlayThe Palest Grey
    37000th track: (05 Feb 2009)
    Motörhead - PlayChristine
    38000th track: (16 Feb 2009)
    Funker Vogt - The Voices of the Dead
    39000th track: (26 Feb 2009)
    In Strict Confidence - Dementia
    40000th track: (28 Mar 2009)
    Dreadful Shadows - The Racking Call
    41000th track: (09 Apr 2009)
    Architect - PlaySt. Vodka (Mother Russia)
    42000th track: (23 Apr 2009)
    Garage Chanson Show - Rurou no asautai
    43000th track: (29 Apr 2009)
    Violet Stigmata - Cold Stomach
    44000th track: (09 May 2009)
    The Retrosic - Quid Pro Quo
    45000th track: (27 May 2009)
    Björk - PlayAll Is Full of Love
    46000th track: (18 Jun 2009)
    Aesthetic Perfection - I Belong to You
    47000th track: (24 Jun 2009)
    Cocteau Twins - Multifoiled
    48000th track: (06 Jul 2009)
    The Retrosic - Maneater
    49000th track: (21 Jul 2009)
    Cabaret Voltaire - PlayDeep Time
    50000th track: (30 Jul 2009)
    Atomine Elektrine - The Eye of the Nebula
    51000th track: (10 Aug 2009)
    Atrium Carceri - PlayObservatory
    52000th track: (19 Aug 2009)
    Fix8:Sed8 - Chromatose
    53000th track: (09 Sep 2009)
    Controlled Fusion - Hit That Perfect Beat
    54000th track: (23 Sep 2009)
    Hocico - ladykiller (don´t rape the dead girl by terminal choice)
    55000th track: (10 Oct 2009)
    Rome - The Secret Sons of Europe
    57000th track: (15 Nov 2009)
    (:SITD:) - MK Ultra
    Generated on 26 Nov 2009
    Get yours here
  • Live.

    26 Nov 2009, 19:22 by masternetza