5 8 6 (7:30)

Cover of Power, Corruption & Lies

From Power, Corruption & Lies

Written by Bernard Sumner, Stephen Morris, Peter Hook & Gillian Gilbert.
Produced by New Order.

Recorded Winter 1982
Released May 1983 on Power, Corruption & Lies.
Peel Session recorded May 1982, transmitted June 1st 1982.
Live debut May 24th 1982 at Pennies, Norwich, UK.

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  • flavor_country

    lol the first two min sounds like this shit: http://www.youtube.com/watch?v=kqPX5J5xyqc

    21 Oct 2013 Reply
  • crocy2

    cool sound...

    3 Aug 2013 Reply
  • harmpies1963

    were did they go then

    9 Jun 2012 Reply
  • markopw

    madness

    20 May 2012 Reply
  • spacefaceinfurs

    so glad they played this on their little 'comeback' tour ...

    1 Feb 2012 Reply
  • kikikirsche

    23 Jan 2012 Reply
  • prominence_la

    Wish I could be in clubs back then...I'd love to see everyone on the dancefloor slow down at the end (of course, I'd be on the floor, too!).

    4 Aug 2011 Reply
  • silvasonicsurfa

    old skool n.o. ...........2.0> get in !!!!!!!

    9 Jun 2011 Reply
  • ceepeedee

    ctd55, everything you say is clean, clear, and kinda boring.

    15 Apr 2011 Reply
  • iheartziyi

    God I dig this.

    20 Jan 2011 Reply
  • Nitro43

    The Blue Monday son [2]

    20 Nov 2010 Reply
  • Marcol-oso

    Is this the end for Last.fm?...if you can't stream your loved-tracks...then it must be Spotify :(

    2 Nov 2010 Reply
  • anchuste

    Something special.

    27 Sep 2010 Reply
  • eyesaresmiles

    Judging this by standard dance criteria is rather missing the point.

    8 Sep 2010 Reply
  • ctd55

    This is the dance song/club track on the album. And while it’s a suitable representative of the genre, I find New Order's dabblings in this territory baffling: the songs are invariably catchy, overflowing with hooks and energy, and yet uncannily inhuman and artificial, displaying no genuine passion. Take the first two minutes, which suggest this is another lifeless, meandering number (think back to “We All Stand”). When the facade of the first two minutes fades out, a whole other song takes its place. But even with its quicker tempo and stepped-up energy, the powerful groove of the last five and a half minutes is as lifeless and cold as the opening. All the sounds that build up and adorn its central groove lack depth: the drum machine's thin, the synthetic rhythm track lacks any visceral punch, Barney’s singing never stands out, etc. Consequently, there’s no dynamic range--no spiraling highs or pounding lows--and everything ends up sounding clean, clear, and kinda boring.

    31 Jul 2010 Reply
  • hearditfirst

    I always thought this should have started the album PC&L off and Age Of Consent in place of this.... Check out 586 full version......http://www.last.fm/music/New+Order/Video+586

    30 Apr 2010 Reply
  • unreleased_

    Yes, I agree, it bases on Blue Monday elements...

    18 Aug 2009 Reply
  • BillSwansea

    I wonder how many people in '83 or whatever thought thier record was scratched when they first heard this...

    3 Aug 2009 Reply
  • arenescu

    The Blue Monday son

    16 May 2009 Reply
  • Knifymoloko

    Wow. The slowed ending is awesome.

    8 Feb 2009 Reply
  • All 32 shouts

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