Isn't Anything

Label
Creation Records
Running length
27 tracks
Running time
81:18

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Tracklist

    Track     Duration Listeners
1 Soft As Snow (But Warm Inside) (Remastered Version) 2:22 73
1 Soft as Snow (But Warm Inside) 2:23 121,468
2 Lose My Breath 3:36 115,071
2 Lose My Breath (Remastered Version) 3:38 79
3 Cupid Come 4:28 107,299
3 Cupid Come (Remastered Version) 4:29 57
4 (When You Wake) You're Still in a Dream 3:17 100,852
4 (When You Wake) You're Still In A Dream (Remastered Version) 3:18 60
5 No More Sorry 2:46 100,352
5 No More Sorry (Remastered Version) 2:47 54
6 All I Need 3:06 97,460
6 All I Need (Remastered Version) 3:05 53
7 Feed Me With Your Kiss (Remastered Version) 3:54 1,325
7 Feed Me With Your Kiss 3:55 104,883
8 Suesfine (Remastered Version) 2:12 40
8 Sueisfine 2:12 96,493
8 Suesfine 2:12 8,427
9 Several Girls Galore (Remastered Version) 2:21 44
9 Several Girls Galore 2:20 89,856
10 You Never Should (Remastered Version) 3:23 45
10 You Never Should 3:21 88,921
11 Nothing Much To Loose (Remastered Version) 3:17 39
11 Nothing Much To Loose 3:16 7,086
11 Nothing Much to Lose 3:16 88,963
12 I Can See It (But I Can't Feel It) 3:10 83,811
12 I Can See It (But I Can't Feel It) (Remastered Version) 3:14 43

About this album

Isn’t Anything is the debut full-length studio album by My Bloody Valentine, released in November 1988 on Creation Records. After the band’s original vocalist Dave Conway left in 1987, to be replaced by Bilinda Butcher, the band continued for a while in their previous noisy indie-pop style before Kevin Shields returned to their avant-garde roots, and began to explore the possibilities offered by the studio facilities available after signing to Creation Records in 1988. The first fruits of this experimentation was the single/EP “You Made Me Realise”, released in July 1988, with Isn’t Anything following later that year. Most of the album was recorded in a studio in Wales. While recording the album over a period of two weeks, the band got by on about two hours sleep a night. Bilinda Butcher described the effect of this on her vocals: “Often, when we do the vocals, it’s 7:30 in the morning: I’ve usually fallen asleep and have to be woken up to sing. Maybe that’s why it’s languorous. I’m usually trying to remember what I’ve been dreaming about when I’m singing.”
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