The New Danger

Label
Geffen*
Release date
26 Oct 2004
Running length
17 tracks
Running time
73:24

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Tracklist

    Track     Duration Listeners
1 The Boogie Man Song (Album Version (Explicit)) 2:23 283
2 Freaky Black Greetings (Album Version (Explicit)) 2:20 228
3 Ghetto Rock (Album Version (Explicit)) 3:53 319
4 Zimzallabim (Album Version (Explicit)) 3:43 185
5 Blue Black Jack 5:46 35,874
6 Bedstuy Parade & Funeral March 4:33 25,577
7 Sex, Love & Money (Album Version (Explicit)) 4:10 282
8 Sunshine (Album Version (Explicit)) 4:26 224
9 Close Edge (Album Version (Explicit)) 3:10 205
10 The Panties 4:11 51,688
11 War (Album Version (Explicit)) 3:07 151
12 Grown Man Business (Album Version (Explicit)) 3:24 150
13 Modern Marvel (Album Version (Explicit)) 9:20 134
14 Life Is Real (Album Version (Explicit)) 3:11 148
15 The Easy Spell (Album Version (Explicit)) 5:33 123
16 The Beggar 5:20 33,000
17 Champion Requiem (Album Version (Explicit)) 4:54 135

About this album

The New Danger is the second studio album by American hip hop artist Mos Def, released October 19, 2004 on Rawkus and Geffen Records in the United States. The album was also released in Canada and continental Europe through Geffen, and it featured distribution in the United Kingdom on Island Records. It is the follow-up to his breakthrough solo effort Black on Both Sides (1999), after which he further involved himself in a film and stage career.

Production for the album was handled by Mos Def, Kanye West, 88 Keys, Minnesota, Warryn Campbell, and Psycho Les. Primarily a hip hop album, it also exhibits musical styles such jazz, blues, and rock music with an experimental, jam session-atmosphere. It also features contributions from Mos Def’s rock musical project Black Jack Johnson, which was named after boxing champion Jack Johnson and consists of guitarist Dr. Know, keyboardist Bernie Worrell, bassist Doug Wimbish, and drummer Will Calhoun. Upon release, The New Danger received generally mixed or average reviews from music critics, based on an aggregate score of 59/100 from Metacritic. Critics of the album were divided in their responses by its uneveness and sprawl.
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