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Morning Recordings

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Morning Recordings is a brainchild of a Chicago based Pramod Tummala, and The Welcome Kinetic is his second full length on Loose Thread Recordings. The album is sprinkled with many guest appearances and musical collaborations, most notable among them is the voice of Drag City’s Edith Frost, essentially comprising of a collective of friends. Tummala himself is easily comfortable on guitar, piano and the harmonium on this laid back classic soul, future jazz, and fusion album with elements of Tortoise-like staple vibraphone post-rock sound. The breathy playful vocals remind me a bit of Psapp and Portishead, while the lo-fi treatments and analog tape manipulation is reminiscent of Boards of Canada and Dictaphone. The album effortlessly loops and folds over itself, mostly in major harmonic scale, and serves as excellent background music, while you stare at the clock, watching the hands tick away the stubborn minutes left at work.

Morning Recordings returns with its second full-length, The Welcome Kinetic, which finds the Pramod Tummala-led ensemble (now including The Coctails’ Barry Phipps as vocalist and multi-instrumentalist) eschewing the intimate monotones of the first record in favor of a broader aural palette. Dub-inflected Latin, underwater Bachrach-ian pop, waltz-time sound collage, and warped ’70s funk are all rendered with a balladeer’s touch. Drag City artist Edith Frost joins the group to sing on three of the tracks, including the bewitching lead vocal on “Songs from a Hotel Bar.
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