Mikey Dread
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Mikey Dread – Roots and Culture
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Biography
Jamaica
Michael Campbell (1954-2008), better known as Mikey Dread, was a multi-talented Jamaican singer, producer, and broadcaster. During his long career, he brought dub music to the cultural fore in not only Jamaica but internationally, courageously fused dub with punk via work with The Clash, spread a global message of racial unity, and played a seminal role as a forefather of the now popular and very commercial dancehall and even reggaeton styles with popular dub cuts like
Roots and Culture.
From an early age, Campbell showed a natural aptitude for engineering and electronics. After he finished college, Campbell started out as an engineer with the Jamaica Broadcasting Corporation (JBC). Campbell wasn’t impressed that the JBC’s playlists mainly consisted of bland, foreign pop music at a time when some of the most potent reggae was being recorded in Jamaica. He convinced his JBC bosses to give him his own radio program called Dread At The Controls, where he played nothing but reggae. Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well-known for its fun and adventurous sonic style, Dread At The Controls became a hit all over Jamaica. Inevitably, JBC’s conservative management and Campbell clashed, and he quit in protest.
By that time, Campbell had earned a solid reputation as a singer and producer and began recording his own material.
From an early age, Campbell showed a natural aptitude for engineering and electronics. After he finished college, Campbell started out as an engineer with the Jamaica Broadcasting Corporation (JBC). Campbell wasn’t impressed that the JBC’s playlists mainly consisted of bland, foreign pop music at a time when some of the most potent reggae was being recorded in Jamaica. He convinced his JBC bosses to give him his own radio program called Dread At The Controls, where he played nothing but reggae. Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well-known for its fun and adventurous sonic style, Dread At The Controls became a hit all over Jamaica. Inevitably, JBC’s conservative management and Campbell clashed, and he quit in protest.
By that time, Campbell had earned a solid reputation as a singer and producer and began recording his own material.
Top Tracks
Top Albums
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The Prime of Mikey Dread: Massive Dub Cuts, 1978-1992
17,551 listeners13 tracks
Released:
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Beyond World War III
11,723 listeners9 tracks
Released:
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Dread at the Controls
12,220 listeners8 tracks
Released:
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The Prime of Mikey Dread
1,377 listeners13 tracks
Released:
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