Wandering Spirit

Label
Atlantic
Release date
9 Feb 1993
Running length
13 tracks
Running time
49:35

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Tracklist

    Track     Duration Listeners
Think 2:58 4,425
Out Of Focus 4:34 5,590
Put Me In The Trash 3:34 15,390
Angel In My Heart 3:23 6,613
Hang On To Me Tonight 4:35 4,706
I've Been Lonely For So Long 3:28 4,957
Wired All Night 4:05 6,819
Handsome Molly 2:09 4,347
Sweet Thing 4:18 25,462
Mother Of A Man 4:16 4,496
Wandering Spirit 4:17 8,372
Evening Gown 3:32 12,309
Use Me 4:26 6,660

About this album

Wandering Spirit is the third solo album by Mick Jagger and was released in 1993, Jagger’s only solo album release of the 1990s. Jagger aimed to re-introduce himself as a solo artist in a musical climate vastly changed from what had witnessed the release of his first two projects, She’s the Boss and Primitive Cool.

Following the successful comeback of The Rolling Stones’ Steel Wheels (1989), which saw the end of Jagger and Keith Richards’ well-publicised feud, Jagger began routining new material for what would become Wandering Spirit. In January 1992, after acquiring Rick Rubin as co-producer, Jagger recorded the album in Los Angeles over seven months until September 1992, recording simultaneously as Richards was making Main Offender.

Jagger would keep the celebrity guests to a minimum on Wandering Spirit, only having Lenny Kravitz as a vocalist on his cover of Bill Withers’ “Use Me” and bassist Flea from Red Hot Chili Peppers on three tracks.

Following the end of The Rolling Stones’ Sony Music contract and their signing to Virgin Records, Jagger elected to sign with Atlantic Records (which had signed the Stones in the 1970s) to distribute what would be his only album with the label.

Released in February 1993, Wandering Spirit was commercially successful, reaching #12 in the UK and #11 in the US, going gold there. The track “Sweet Thing” was the lead single, although it was the third single, “Don’t Tear Me Up”, which found moderate success, topping Billboard’s Album Rock Tracks chart for one week. Critical reaction was very strong, noting Jagger’s abandonment of slick synthesizers in favour of an incisive and lean guitar sound.
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