Biography

Singer, songwriter, guitarist, record producer, b Montreal 9 Nov 1948. He sang and played guitar in a succession of Montreal ‘yé-yé’ bands before meeting with success with les Chanceliers, whose recording of ‘Le P’tit Poppy’ was very popular in 1966. He began a solo career the following year, taking his style, then unique among Quebec pop performers, from the most basic of US rock and roll. He recorded until 1970 in French only, and his successes in that period included the RCA singles ‘Fou de toi,’ ‘J’entends frapper,’ ‘Comme d’habitude,’ and the CBS (Columbia) one ‘Dans la peau.’ Among his most popular records in English have been the Much singles ‘Give Us One More Chance,’ ‘Rainshowers,’ ‘Lovin’ You Ain’t Easy,’ and, after 1975 the CBS ones ‘What the Hell I Got’ and ‘Dock of the Bay’ which he recorded after becoming popular across Canada thanks to his association with that recording company. He also has made several LPs for the Spectrum (1970), Much (1971), RCA (1972-4), and CBS (1975-6) labels. A ‘greatest hits’ LP was issued in 1975 under the Multi-Pop label (MP-1).

Pagliaro (or simply ‘Pag’) performed at most Quebec rock venues, across Canada in 1977, and in Europe in 1976, 1977, and 1979. He set up his own recording studio where he produced the LPs of Walter Rossi and others. He recorded Bamboo there in 1981 (Trans-Canada TMC-1005), certain songs of which were revived in 1990 in TV commercials. He then left for France where he worked with the singer Jacques Higelin, among others. After five years of exile, he returned to Quebec, producing several hits, including ‘Les Bombes’ and ‘Dangereux’. In 1987, he was chosen as David Bowie’s opening act at Montreal’s Olympic Stadium. He made the albums Avant (1987, Aquarius AQR-547) and Sous peine d’amour (1988, Alert 281009-1/Audiogram AD-10038), one song of which ‘L’Espion’ reached the top of the chart. In the fall of 1988, he again performed with Higelin at the Spectrum in Montreal as part of the Francofolies.

A Toronto performance brought this observation from Jymn Parrett: ‘Even without the trademark sunglasses, Michel Pagliaro remains inaccessible. Black stud leathers compete with disdainful sneer. Slithering, pounding, almost never smiling, Pagliaro the lizard king du monde onstage delivers state of art rock & roll without nice-guy pretensions.’ As for Hélène de Billy, she has written of the ‘new Pag’: ‘At one time, it was believed that Michel Pagliaro would become an international rock star. Then he disappeared, long enough to become a true artist’.

Edited by Rosenort on 31 Mar 2007, 21:56

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