Maurice Jarre
Listen to, buy or share
Buy
-
526,228
scrobbles
-
75,311 listeners
-

cathbr83 is listening to
Maurice Jarre – Main Title
Tags
Biography
Maurice Jarre (born in Lyon, France, September 13, 1924, died in Malibu, USA, March 29th, 2009) was a French composer of film scores noted for the scores of many motion pictures, in particular those of David Lean — Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984). All three of these scores won Academy Awards and are widely considered to be among Jarre’s best work.
Other notable movies scored by Jarre include Luchino Visconti’s The Damned (1969), John Huston’sThe Man Who Would Be King (1975), and great music for Mohamed: The Messenger of God 1976 by Mustafa Al AkkadTop Secret (1984), Dead Poets Society (1989) and Jacob’s Ladder (1990). His best television work was probably the score for the miniseries Jesus of Nazareth (1977), directed by Franco Zeffirelli . Jarre’s television work also includes Shogun (1980), and the theme for PBS’s Great Performances. Jarre scored his last film in 2001, a TV movie about the Holocaust entitled Uprising.
Jarre wrote mainly for orchestras, but began to favor to synthesized music in the 1980s, mostly for practical rather than aesthetic motivations, many critics feel. Jarre denies this and has pointed-out that his electronic score for Witness was actually more laborious, time-consuming and expensive to produce than an orchestral score.
Other notable movies scored by Jarre include Luchino Visconti’s The Damned (1969), John Huston’sThe Man Who Would Be King (1975), and great music for Mohamed: The Messenger of God 1976 by Mustafa Al AkkadTop Secret (1984), Dead Poets Society (1989) and Jacob’s Ladder (1990). His best television work was probably the score for the miniseries Jesus of Nazareth (1977), directed by Franco Zeffirelli . Jarre’s television work also includes Shogun (1980), and the theme for PBS’s Great Performances. Jarre scored his last film in 2001, a TV movie about the Holocaust entitled Uprising.
Jarre wrote mainly for orchestras, but began to favor to synthesized music in the 1980s, mostly for practical rather than aesthetic motivations, many critics feel. Jarre denies this and has pointed-out that his electronic score for Witness was actually more laborious, time-consuming and expensive to produce than an orchestral score.
Featured tracks
-
That Is the Desert
2:56
Featured tracks
Top Tracks
Top Albums
-
Lawrence of Arabia
34,856 listeners12 tracks
Released:
-
Lawrence of Arabia - re-recording
22,006 listeners13 tracks
-
Ghost
5,922 listeners9 tracks
Released:
-
Doctor Zhivago
8,613 listeners15 tracks
Released:
Listening Trend
75,311listeners all time
526,228scrobbles all time
Recent listeners trend:
Start scrobbling and track your listening history
Last.fm users scrobble the music they play in iTunes, Spotify, Rdio and over 200 other music players.
Create a Last.fm profile








Get exclusive tour, release & promotion updates on Maurice Jarre from Universal Music.