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Like Matteah Baim's debut album, Death of the Sun, its successor, Laughing Boy, has somewhat eerie and folky songs suggesting subdued mystical states of mind, vocalized with the appropriate enigmatic serenity. This time around, it may be that the arrangements are a little more earthbound, though the instrumentation is still far more imaginative than it is on many of the records of the era that strike a similarly acid folkish mood. Nervously twittering violins, ominous rubbery thuds, monkish male backup… read more

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