100th Window
- Label
-
EMI UK
- Release date
- 28 Aug 2006
- Running length
- 9 tracks
- Running time
- 73:33
Tags
Tracklist
| Track | Duration | Listeners | ||||
| 1 |
|
Future Proof | 5:37 | 327,467 | ||
| 2 |
|
What Your Soul Sings | 6:36 | 306,295 | ||
| 3 |
|
Everywhen | 7:39 | 201,006 | ||
| 4 |
|
Special Cases | 5:07 | 215,616 | ||
| 5 |
|
Butterfly Caught | 7:32 | 303,588 | ||
| 6 |
|
A Prayer for England | 5:46 | 127,231 | ||
| 7 |
|
Small Time Shot Away | 7:57 | 122,532 | ||
| 8 |
|
Name Taken | 7:46 | 170,482 | ||
| 9 |
|
Antistar (Includes Hidden Track 'LP4') | 19:33 | 6,544 |
About this album
Of Massive Attack’s original core trio, the album only featured Robert Del Naja (3D); Andrew Vowles departed shortly after the release of Mezzanine, and Grant Marshall (Daddy G) was on a sabbatical to raise his young daughter. Released in 2003, it was written and produced by Del Naja and Neil Davidge, and features the vocals from Horace Andy and Sinéad O’Connor, as well as an appearance by Damon Albarn. It is the first album by the band that made no use of samples, and contains none of the jazz or fusion stylings of the band’s earlier recordings.
Work on the album started in early 2000. Massive Attack recruited Lupine Howl (a band made up of ex-members of Spiritualized) for the new album. In a November 2001 interview, Lupine Howl’s lead singer Sean Cook described the sessions as “very experimental … that essentially consisted of kinda minimal loops and noises that were fed to our head phones from the computer up in the control room. Then we would have this sort of extended jam session playing along to them and they would do various things to do the loops. Sometimes they would drop out the loop, sometimes they would start processing it with effects and delays and stuff like that, to try and make it change in various ways and see what that would do in terms of our playing. They also had a strobe light in the live room, which they controlled from the control room. They would kind of put that on and speed it up to dictate the intensity and try to affect the way we played with the lighting.
Work on the album started in early 2000. Massive Attack recruited Lupine Howl (a band made up of ex-members of Spiritualized) for the new album. In a November 2001 interview, Lupine Howl’s lead singer Sean Cook described the sessions as “very experimental … that essentially consisted of kinda minimal loops and noises that were fed to our head phones from the computer up in the control room. Then we would have this sort of extended jam session playing along to them and they would do various things to do the loops. Sometimes they would drop out the loop, sometimes they would start processing it with effects and delays and stuff like that, to try and make it change in various ways and see what that would do in terms of our playing. They also had a strobe light in the live room, which they controlled from the control room. They would kind of put that on and speed it up to dictate the intensity and try to affect the way we played with the lighting.
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Massive Attack – Special Cases
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