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Marvin Gaye turned to soundtracks in the early '70s, and came out with one that ranked right alongside the epic scores done by Curtis Mayfield and Isaac Hayes. The film itself was a typical '70s "blaxploitation" effort, but Gaye's vocals, seamless production, and a nice mix of up-tempo funk, light ballads, and pseudo-macho camp were brilliant.

The album, as with most Marvin Gaye LPs of the seventies, is centered around it's title track which in this case is a very… read more

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