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Mario Pavone

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Bassist/composer Mario Pavone has collaborated with both legendary innovators and today’s most respected young musicians to consistently define the cutting edge of jazz for the past 40 years. He has anchored the trios of Paul Bley (1968-72), Bill Dixon (1980’s), and the late Thomas Chapin (1990-97), and co-led a variety of notable ensembles with Anthony Braxton, Wadada Leo Smith, Marty Ehrlich, and Michael Musillami. His list of sidemen past and present includes Steven Bernstein, Gerald Cleaver, Dave Douglas, Peter Madsen, Tony Malaby, Joshua Redman, George Schuller, Michael Sarin, Craig Taborn, and Matt Wilson among many others. And, unlike most artists whose careers span five decades, his most recent recordings are his most widely acclaimed, appearing on best-of-the-year lists from Slate.com, AllAboutJazz.com, AllAboutJazz-New York, Coda, the Village Voice , and the New York Times among others.

Although a long career in jazz awaited him, Pavone never received formal music training and didn’t seriously encounter jazz until his freshman year at the University of Connecticut in 1958. Growing up in Waterbury, Connecticut, he developed a fondness for black R&B vocal groups, as well as the 1940’s movie music he heard as a child, but a college friend’s jazz record collection—and seeing John Coltrane one fateful night at the Village Vanguard in 1961—set him on the musical path. With legendary guitarist/fellow Waterbury native Joe Diorio’s encouragement, Pavone rented a bass in the summer of 1964 and began plucking out the percussive sound that would become his trademark.

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  • kaly_

    Happy Birthday !!! <3

    11 Nov 2011 Reply
  • gakko

    A few words from DMG about "Boom": "Featuring Mario on double bass & all (but two) compositions, Tony Malaby on tenor & soprano saxes, Peter Madsen on piano and Matt Wilson on drums. 'boom' begins with the suspenseful "julian", which reminds me of a dream sequence from foggy film noir flick, setting the stage at dusk, before the drama begins to erupt. Soon, the piece "not five kimono" shows off the feisty spirit of this great quartet and complex composing that Mario always embraces. Mario's powerful acoustic bass is at the center, pushing and pumping as the piano and drums swirl around him tightly and Malaby's great soprano and tenor dance above performing a number of inspired solos. Both Tony and the extraordinary pianist, Peter Madsen, are gifted soloists and are spirited throughout. Mario Pavone was a constant collaborator with the late sax great Thoms Chapin, appearing on all just about all of Thomas' early recordings as well as all of Thomas' 8 trio discs for the Knit label."

    29 Mar 2009 Reply