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Lyfe Jennings

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Styles: Contemporary R&B, Neo-Soul
Biography
Not that he’d wish it on anyone, but it was during his ten-year sentence in prison that Lyfe Jennings developed his honest sound, thanks to isolation and Erykah Badu. It was an arson charge that put the Toledo, OH, native in prison. His musical aspirations started in the church choir and grew in the Dotsons, a teenaged group that Lyfe formed with his brother and a couple cousins. Prison made his music deeper, according to Lyfe, and when a copy of Erykah Badu’s Baduizm ended up in his cell in 1997, he was inspired and had the feeling that this introspective edge to his music was worth developing. Two days after his December 2002 release from prison, he was recording a four-song demo CD. The day after that, he was performing live in a club. He only had a month of freedom before he was on-stage at the famous Apollo. He was booed when he walked on-stage with an acoustic guitar, but when the Apollo audience heard his gritty falsetto and lyrical songwriting, they were swayed — swayed to the tune of five amateur-night victories in a row. Lyfe figures he sold a thousand copies of his four-song demo CD during his Apollo “residency.” That, along with a ton of calls from promoters and record label execs on his answering machine back in Ohio, influenced Lyfe to move to New York City and pursue a major-label deal. Columbia had the right offer and released his debut, Lyfe 268-192 (his inmate number), in August of 2004. A year after its original release, the album was reissued with a new version of “Hypothetically” featuring American Idol winner Fantasia added as a bonus track. The more hip-hop-oriented follow-up, The Phoenix, arrived in 2006, with Three 6 Mafia and Young Buck making guest appearances.
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Must Be Nice full track
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Never Never Land full track
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Let's Stay Together full track
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Warriors full track
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I Can't full track
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Stick Up Kid full track
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Keep On Dreaming full track
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Cry full track
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Goodbye full track
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Hmmm full track
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Will I Ever full track
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Midnight Train full track
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