Most of Johnson’s poetry is political, dealing mainly with the experiences of being an african-caribbean in Britain. However, he has also shown himself more than capable of writing about other issues, such as British foreign policy or the death of anti-racist marcher Blair Peach. His most celebrated poems were written during the government of Prime Minister Margaret Thatcher. The poems contain graphic accounts of the often racist police brutality occurring at the time.
Johnson’s best known albums include his debut “Dread Beat An’ Blood”, “Forces Of Victory”, “Bass Culture” and “Making History”. Across these albums are spread classics of the dub poetry school of performance - and, indeed, of reggae itself - such as “Dread Beat An’ Blood”, “Sonny’s Lettah, “Inglan Is A Bitch” and “Independant Intavenshan”.
When written, Johnson’s poetry makes clever use of the unstandardised transcription of Jamaican Creole.
Of late, Johnson has only performed live on an intermittent basis.
Johnson’s record label LKJ Records is home to other reggae artists, some of whom made up The Dub Band, with whom Johnson mostly recorded, and other Dub Poets, such as Jean Binta Breeze.
Edited by headeynyp on 15 Nov 2013, 09:26
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