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The reissuing of now all their albums - "Sad & Dangerous", "Dirty Three", "Horse Stories", "Ocean Songs", "Whatever You Love, You Are", "She Has No Strings Apollo", "Cinder", and "Live! at Meredith" (which in small quantities has been dropped off at record stores around Melbourne by Mick himself I believe), as well as the release of The Dirty Three Documentary and ATP film, and a few years ago, "Sticky Carpet" - means that, depending where you are in the world, most of their discography and live performances are available to you; as for the bonus discs and editions of albums with extra tracks, the EP's and other discontinued, rarer stuff - "Lowlands", "Ufkuko", "Sharks EP", "Strange Holiday", "Obvious is Obvious/ No Need" - they are graciously shared by those small few who have them. Below are some of these recordings, some posted on websites, from these limited editions.
Dirty Three (1995):
Seen this one in record stores, dont think there is a vinyl edition of it, though.
1. Indian Love Song
2. Better Go Home Now
3. Odd Couple
4. Kim's Dirt
5. Everything's Fucked
6. The Last Night
7. Dirty Equation
Sad & Dangerous (1995):
Their first album, recorded "with a mic from Tandy's".
Haven't seen this one in record stores, certainly not the vinyl edition.
This will probably be reissued one day.
Ufkuko (1998)
No longer available, maybe this will be reissued too, someday.
Live set in 1998 at ABC TV studios Melbourne, included with a limited edition of Ocean Songs..
(right click: save as - if you want the audio)
Dirty Three – Last Horse on the Sand (Live on ABC TV)
This is the monologue (I guess that's the word for it)(...it's great, and funny):
"This is a song, ladies and gentlemen, from the bedroom, put into your lounge room, because we love you that much. This is a love song, for anyone in love; grab their hand and squeeze it tight, cos tomorrow they might not be there. This is called..'I've been walkin around a long time, and my shoes are worn out, and my pants have fallen down, and I've got holes in my britches..but you are the last horse on..my..sand'"
Also a live recording at ABC TV studios, released on compilation, Recovery: Ready For Transmission..
Dirty Three – Sirena (Live on ABC TV)
Live set at Café de la Danse, Paris, 2003..
Sister Let Them Try And Follow (Live at Cafe De La Danse)
Live set at Melbourne Big Day Out, 1996..
Dirty Three – I Remember A Time When Once You Used To Love Me (Live at Big Day Out)
Dirty Three – To Aster! (Live at Big Day Out)
Dirty Three – Mick's Love Song (Live at Big Day Out)
Nick Cave & the Dirty Three – Tupelo (Live at Big Day Out)
Nick Cave & the Dirty Three – Shivers (Live at Big Day Out)
A Leonard Cohen song, performed live numerous times..
(will upload later along with other stuff)
Dirty Three – Suzanne
A Rowland S. Howard song, performed live with Nick Cave numerous times..
Nick Cave & the Dirty Three – Shivers
A Kim Salmon song from Sharks EP, and also Obvious Is Obvious / No Need split single with Low..
Dirty Three – Obvious Is Obvious
Live set in 2004 at PBS studios - a Melbourne radio station..
Dirty Three – Intro (Live on PBS)
Dirty Three – 1000 Miles (Live on PBS)
Dirty Three – Hope (Live on PBS)
Dirty Three – She Has No Strings (Live on PBS)
Dirty Three – The Zither Player (Live on PBS)
Dirty Three – Jaguar (Live on PBS)
Live set at RRR studios - another Melbourne radio station..
Horse Stories (1996):
1000 Miles
Sue's Last Ride
Hope
I Remember a Time When Once You Used to Love Me - (an adaptation of a song, Μια φορά θυμάμαι/Mia Fora Thimame by Αρλέτα/Arleta)
At the Bar
Red
Warren's Lament
Horse (vocals by Andria Degens - Pantaleimon)
I Knew It Would Come To This
From the iTunes edition..
Crazybirds
Whatever You Love, You Are (2000):
1. Some Summers They Drop Like Flies
2. I Really Should've Gone Out Last Night
3. I Offered It Up to the Stars & the Night Sky
4. Some Things I Just Don't Want to Know
5. Stellar
6. Lullabye for Christie
She Has No Strings Apollo (2003)
From the Japan edition..
All Downhill From Here
She Apollo
iTunes edition..
Greyhound
Rocket
Dirty Stranger
A tribute to the late Alice Coltrane, I believe, who was to play at ATP curated by the Dirty Three, recorded at Meredith in 2004..
Dirty Three – Alice Wading (Live at Meredith)
She Has No Strings:
From the Japan edition of She Has No Strings..
Dirty Three – All Downhill From Here
Dirty Three – She Apollo
Live set in 2002 in Paris..
Dirty Three – 1000 Miles (Live at Instants Chavirés)
A set in Melbourne..
Dirty Three – Red (Live at Prince Bandroom)
Live set in 1994 at Triple J studios - an Australian radio station..
Better Go Home Now (Live from Triple J live)
Cinder:
Ever Since
Amy
She Passed Through
Sad Jexy
Cinders
Doris
Flutter
The Zither Player - (an adaptation of a song by Lajkó Félix, whose music is an influence on Warren, particularly Lajkó Félix és zenekara)
Great Waves
It Happened
Dream Evie
Too Soon, Too Late
This Night
Rain On
Ember
Michèle
Feral
Last Dance
In Fall
from the Japan edition..
Dirty Three – June's a Calling
Fly By Night Club, Fremantle, Western Australia, 2006..
Dirty Three – Maggie May (Live at Fly By Night Club)
ABC Radio National - The Deep End, 2006...
1. Dirty Three – Ever Since (Live on ABC Radio National - The Deep End)
2. Dirty Three – Amy (Live on ABC Radio National - The Deep End)
3. Dirty Three – Flutter (Live on ABC Radio National - The Deep End)
4. Dirty Three – Everything's Fucked (Live on ABC Radio National - The Deep End)
So, I've heard just about everything recorded by the Dirty Three that is available, except the cassette..I'd love to hear it and the performance with Nick Cave to the Carl Dreyer silent film "The Passion of Joan of Arc", if they are out there.
Για κοιτάξτε πράματα τώρα. Εγώ και όχι ο mamercus να έχω πάει σε συναυλία blues και από πάνω να θέλω να γράψω και κριτική γι αυτή. Δηλώνω εξαρχής ότι δεν έχω καμιά σοβαρή σχέση με το συγκεκριμένο είδος μουσικής μια και ποτέ δεν ήταν μέσα στα ενδιαφέροντα μου. Ωστόσο μέσα στις αγαπημένες μου ερμηνεύτριες τυχαίνει να είναι μία μεγάλη καλλιτέχνης του είδους: η Madeleine Peyroux. Είναι περίεργο πως σου κολλάνε δημιουργοί στο μυαλό σου. Πως αποκτάς αδυναμίες. Αδυναμία όπως έχω εγώ στη Madeleine. Είναι οι στιγμές που περνάς μαζί τους κάτω από συγκεκριμένες καταστάσεις και καθημερινές συνήθειες. Κάτι από τη φωνή της, κάτι από τις μελωδίες της μ’ έκανε να έχω συνδέσει τη Madeleine με πολύ ωραίες και προσωπικές εικόνες. Αυτές οι προσωπικές στιγμές ήταν η αιτία να τρέξω πρώτος πρώτος και να πάρω εισιτήρια ώστε να τη δω να ερμηνεύει ζωντανά.
Και παρόλη την άγνοια μου και απαίδευτη στα blues παιδεία μου αποδείχτηκε ότι έπραξα καλά. Γιατί η Madeleine Peyroux είναι από τους δημιουργούς που πάνω στη σκηνή αναδεικνύονται και καταλαβαίνεις ότι είναι πλασμένοι για να ερμηνεύουν ζωντανά τις μουσικές τους. Το πρώτο συναίσθημα και η πρώτη εικόνα που σου έρχεται στο μυαλό όταν την ακούς ζωντανά είναι αυτό της απίστευτης ευγένειας και γλυκύτητας. Δεν γίνεται να μην χαμογελάς όταν αυτή σου σκάει το χαμόγελο στη σκηνή και δεν γίνεται να μην πιάνεται η καρδιά σου όταν μορφάζει στους στίχους «..It seems the truth is hidden where the sun don’t shine..» του Bare Bones. Η απίστευτη μουσική εκφραστικότητα που έχει σε ωθεί να νοιώθεις την ουσία της μουσικής μέσα σου. Κάτι παρόμοιο είχα νοιώσει μόνο σε μια ακόμα συναυλία. Σ’ αυτή της Loreena McKennitt.( http://www.last.fm/user/yusakuasano/journal/2009/06/29/2u0pd1_loreena_mckennit ) Και αν η μεταδοτικότητα της Loreena’s εκφραζόταν μ’ ένα μυστηριακό σχεδόν ξωτικιένο τρόπο, εδώ σου ερχόταν μέσα από τον πάτο του ουισκιού σου. Και όμως η απαλή εκφραστικότητα της έδινε μια περίεργη λάμψη στα τραγούδια της. Η αψεγάδιαστη φωνή της ακόμα και στα χαρούμενα τραγούδια της ήταν πάντα μελαγχολική. Τα blues της Madeleine, προερχόμενα πότε από την country πλευρά (Walkin After Midnight – της Patsy Cline), πότε από την αμερικάνικη folk (Dance Me To The End Of Love – Leonard Cohen) και πότε από το γαλλικό chanson (La Javanaise – Serge Gainsbourg) είχαν όλα το δικό της χαρακτηριστικό και μοναδικά όμορφο στυλ. Κορυφαία και σπάνια προσωπική στιγμή ήταν το Between The Bars. Σπαρακτικά εκτελεσμένο.
Μπορεί η Madeleine Peyroux να μην τραγουδάει με την κιθάρα της στους δρόμους του Παρισιού όπως πριν ξεκινήσει τη λαμπρή καριέρα της. Μπορεί ακόμα να μην τραγουδάει ακόμα σε κακόφημα μέσα στην κάπνα bar όπως τόσο θα ταίριαζε στα τραγούδια της και στο στυλ της. Μπορεί να τραγουδάει πλέον σε μέγαρα μουσικής και θέατρα. Με κοινό κυρίως μεσήλικες ευκατάστατης κοινωνικής και οικονομικής τάξης. Ωστόσο έχει καταφέρει και έχει κρατήσει τη σεμνότητα, τη γλυκύτητα και κυρίως το αυθεντικό αίσθημα ενός γνήσιου και πανέμορφου καλλιτέχνη.
2. <b>Bill Evans & Jim Hall - Undercurrent</b> 1962
Jim Hall is a very tender jazz guitarist, and Bill Evans is one of the most artistic pianist.
i did this drawing long time ago, love this cover photo so much.
3. <b>T. Rex - Electric Warrior</b> 1971
so glam and groove, especially after re-watch Billy Elliot
4. <b>Big Mama Thornton - In Europe: with Muddy Waters' Blues Band</b> 1965
it's a live album of this big size woman with jamming quality backup band, her blues inspired Elvis, Janis Joplin, she also plays harmonica.
5. <b>Leonard Cohen - Live Songs</b> 1970-72
never know that he can improvise so much in concert, more than just Hallelujah, more than a poet.
6. <b>Hellsongs - Lounge</b> 2006
indie folk Swedish band cover oldskool metal like Black Sabbath, Iron Maiden, Motorhead. www.hellsongs.com
8. <b>duzze - Flon/Macun</b> 2005
the neighbor lived downstairs is the bassist, some soft rock with SwissGerman dialect, very nice xylophone. www.duzze.ch
9. <b>Andrea Lang - Liebesode</b> 2009
Opera with simple piano, she's the sister of my student, very high class feeling while playing this CD at my flat. www.andrealang.ch
10. <b>Jon Foreman - 4 Seasons EP</b> 2008
he used to play in a loud band and now solo with totally quiet acoustic with soulful broken voice, sometimes duet with angel voice woman, thoughtful lyrics, emotional instrument and arrangement, i wish to make music like him to express our own believe. www.jonforeman.com
Fri 13 Nov – Leonard Cohen: Sometimes my outings feel like this dog toy at the store where I work: a hard rubbery shape called a Kong, hollow on the inside and stuffed with a treat or three. Maybe. I imagine some dogs go crazy not knowing. AM I GUNNA GETTIT, AMMI AMMI? OHNOOO, IT CAN'T BE GOT! I THINK AH GOTTIT- OH!- NO! NO I DON'T GOTTIT! --WAIT! I CAN KINDA TASTE IT!-!-!--
I could kinda taste Leonard Cohen at 5pm on Friday...but a vacuum adventure, a taco waffle, and a few missed trains later, I was panting with euphoric impotence. I wanted, I felt it, I went limp. Damn. And again. But I made it, and in good time! And HALLELUJAH, Fortune smiled on me and I ended up in a killer seat on the "Floor" level of the Shark Tank, bathing in blue light with a large English woman knocking back beers and gospel. And he sang every song. He was the Holy Father I wish I had, both in spirit and flesh. He was that elusive bastard, finally suffering and repenting. He was my best friend, smiling at me in the dark. He growled coolly, but with the sexy restraint of someone who knows where he's been and how far he'd go. Gargling gravel thoughtfully, he made cracks about being old. The man skipped offstage like a young punk five times as we begged him for encore after encore. It was a quiet concert, no 2-stepping and hollering, but its potency left me musically hungover, the next day. If those pretty twins sing and strum like angels (and they do), then the black woman, Sharon Robinson, is their archangel, the incredible songstress who earned her own applause. And that harmonica player, Dino Soldo, blew godly breath through the sax and the electronic flute-tube-thing. Both this gifted snake charmer and Leonard fell to their knees in praise of the Tower of Song. When Cohen's voice echoed off the poorly padded walls, reciting his lyrics like Bible verses, we held our breath and it hung in the stadium like fog - germy and gross, but proof that nostalgia is still as alive as the old man himself. He'll live another 20 years, I think, and I'd like to be saddened by him again.
Sat 14 Nov – The Mountain Goats, Final Fantasy: Saturday night, the silly old Mountain Goats bounced off the walls like hormonal teenage boys. I laughed at his geeky Dadly enthusiasm at least every other song, even though John Darnielle is arguably sadder than Cohen, who at least finds solace in surrender and memory. John is mostly nihilistic and tragic, an observant shyboy who misses, pities, and regrets every lover within minutes of meeting her. But I like the stories he tells and his passion and sentimental nonsense appeal to the romantic in me. The band was good and the energy in The Fillmore was fun and easy, but I realized how few of his lyrics I can sing along to. Damn. The boy's also a bit socially defensive, I think, advising kids to put down their cameras and ease up on shouted requests. He may be unstable, but I like it. Blew his larynx out: COOL :)