Lee "Scratch" Perry & The Upsetters

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Lee “Scratch” Perry (born Rainford Hugh Perry, on March 20, 1936, in Kendal, Jamaica) is a reggae and dub artist, who has been highly influential in the development and acceptance of reggae and dub music in Jamaica and overseas. He is sometimes known as “Pipecock Jackson” or “The Upsetter.”

Career
Perry’s musical career began in the late 1950s as a record seller for Clement Coxsone Dodd’s ska oriented sound system. As his sometimes turbulent relationship with Dodd developed, he found himself performing a variety of important tasks at Dodd’s Studio One hit factory, going on to record nearly 30 songs for the label. Disagreements between the pair due to personality and financial conflicts, a recurring theme throughout Perry’s career, led him to leave the studio and seek new musical outlets. He soon found a new home at Joe Gibbs’s Wirl records.
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Working with Joe Gibbs, Perry continued his recording career, but once again, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label, Upsetter, in 1968. His first single “People Funny Boy”, which was an insult directed at Gibbs, sold very well. It is notable for its innovative use of a sample (a crying baby) as well as a fast, chugging beat that would soon become identifiable as “reggae” (the new sound did not really have a name at this time). From 1968 until 1972 he worked with his studio band The Upsetters. During the 1970s, Perry released numerous recordings on a variety of record labels that he controlled, and many of his songs were popular in both Jamaica and the UK. He soon became known for his innovative production techniques as well as his eccentric character.
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