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The spine-tingling magic of Lana Del Rey’s Ultraviolence lies in the album’s striking, seudden contrasts—moments, as on “West Coast”, when Del Rey’s cool detachment wells up into a wail of emotional anguish. Recorded at Dan Auerbach’s Easy Eye Sound in Nashville and produced by Auerbach himself, Ultraviolence is an assertive follow-up to Del Rey’s 2012 breakthrough, Born to Die. Musing on dark themes—the corruption of power, money, and of course, violence—Del Rey… read more


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