The grooves are the guru no matter what the style. Kill Paris can sweep the listener from guitar-driven blues moves to downtempo-tronica without, so to speak, skipping a beat. Kill Paris kills with equal aplomb through instrumental hypnosis and vocally endowed songcraft. Kill Paris’ versatility allows for a multi-faceted, kaleidoscopic exploration of groove-giving. This artist has more ways to use hooks than all the lonely-couple-in-a-car urban legends combined could hope to muster. “My sound is constantly evolving,” he says. “I really dislike falling in a niche and doing what is easy. The more I challenge myself, the more prosperous my music becomes.” And yet Kill Paris’ central personality is never lost in the shuffle. Focus remains no matter how far Kill Paris ranges in the quest to find fresh ways to make heads bob and unite bodies and rhythm into oneness. Now, Kill Paris is a serious music-making well of creation.
Edited by withtheflow on 21 Apr 2010, 12:30
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