Originally working as Grid, they began their career as crusaders for the right to die, with their earliest tapes bearing many songs rallying around the Kevorkian banner.
Changing their name to Kevorkian Death Cycle (the name is politically motivated — not merely an attempt at shock), the band released their first full length CD on the now extinct Ras Dva label, Collection for Injection, and began to appear on numerous compilations. Coupled with nationwide appearances (including a successful 1997 tour with Spahn Ranch and a sold out appearance at CMJ’s New York City music marathon), the underground community was soon all abuzz about KDC. Combining social issues with throbbing synthetics and dance floor beats, this duo appealed both to the body and to the mind.
In 1998, Kevorkian Death Cycle signed to Metropolis Records, and issued their sophomore release, Dark Skies, in the fall. Still keeping with the darker side of industrial, KDC added more beats and electro attacks to their political formula, creating an astonishing sounding release. The band also had the opportunity to appear in concert with the fathers of the genre, Front 242; and embarked on a nationwide tour, culminating a series of dates with Front Line Assembly.
Kevorkian Death Cycle released their third CD in 1999 entitled A+O(M), and embarked on a two month tour of North America, loosely called the “Free Jack” tour - Jack as in Dr. Jack Kevorkian. The release explored a more electro side of KDC, and contained the dance floor favorites “Death To the Flesh”, “Pulse”, and a cover of Frankie Goes to Hollywood’s “Relax”.
The highly sought after debut, Collection For Injection was re-issued in 2000, and a re-mix single of “Relax” featuring mixes by KDC, Assemblage23, and Nikki Shifter, as well as a new version of “Kill For Christ” from the debut was released in 2001.
Edited by butane_killer on 27 Jan 2007, 03:25
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