Keith Fullerton Whitman
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Keith Fullerton Whitman is a composer/performer obsessed with electronic music; from its mid-century origins in Europe through its contemporary worldwide incarnation as “digital music.”
Currently he is working towards implementing a complete system for live performance of improvised electronic music that incorporates elements from nearly every era: a reel-to-reel tape machine, a selection of small “jerry-rigged” / “circuit-bent” battery-powered sound-producing boxes … , an analog modular synthesizer, an early “consumer” home-computer, and at the core; a contemporary computer running a custom-built Max-MSP based modular system that both controls these elements and acts as a central conduit into which their sounds are captured/collected, processed, then diffused to up to eight separate channels/speakers/amplifiers.
He is also, at present, composing an as-of-yet untitled piece for Egyptian Oud, Serge and Doepfer Analog Modular Synthesizers, and computer control/processing. It is his first through-composed long-form work.
Currently he is working towards implementing a complete system for live performance of improvised electronic music that incorporates elements from nearly every era: a reel-to-reel tape machine, a selection of small “jerry-rigged” / “circuit-bent” battery-powered sound-producing boxes … , an analog modular synthesizer, an early “consumer” home-computer, and at the core; a contemporary computer running a custom-built Max-MSP based modular system that both controls these elements and acts as a central conduit into which their sounds are captured/collected, processed, then diffused to up to eight separate channels/speakers/amplifiers.
He is also, at present, composing an as-of-yet untitled piece for Egyptian Oud, Serge and Doepfer Analog Modular Synthesizers, and computer control/processing. It is his first through-composed long-form work.
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Long Strings In A Darkened Room
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20041203.wfmu
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