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Joshua Hart's sophomore album carries a linear sound from its predecessor ("Regret", 2010) whilst choosing to forego written lyrics, instead calling upon telling dialog samples culled from an unorthodox array of media appearing frequently throughout the album to elaborate on feelings of isolation and longing. You will be treated to the private confessions of H.P. Lovecraft and Beethoven, the poetry of Dylan Thomas, cuts from the cult video games System Shock and Bioshock, and several other fitting obscurities. The… read more

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