John Patton
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John Patton – The Turnaround
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Better known as Big John Patton.
John Patton (July 12, 1935 in Kansas City, Missouri – March 19, 2002 in Montclair, New Jersey), sometimes nicknamed Big John Patton, was a hard bop and soul jazz organist.
After spending time with the Lloyd Price orchestra, he recorded extensively for Blue Note, and performed or collaborated with Grant Green, Lou Donaldson, and John Zorn.
His music evolved to incorporate elements of modal and free jazz, without ever losing the basic, earthy groove that he brought to it from the beginning.
He wrote some classics and will be remembered fondly both by musicians and fans. His stellar work included “Funky Mama” and Along Came John. During the late 60s John recorded some very adventurous music for the Blue Note label with artists such as Harold Alexander and George Coleman on lps such as Understanding and Accent on the Blues. Of particular note on the early sessions recorded for Blue Note both under his own name and also with George Braith, Don Wilkerson and Lou Donaldson was the superlative empathy he developed with guitarist Grant Green and drummer Ben Dixon - an organ trio whose work in the soul jazz genre remains unsurpassed to this day.
Since the resurgence in interest in music from this period Blue Note has unearthed many sessions that lay in the vaults.
John Patton (July 12, 1935 in Kansas City, Missouri – March 19, 2002 in Montclair, New Jersey), sometimes nicknamed Big John Patton, was a hard bop and soul jazz organist.
After spending time with the Lloyd Price orchestra, he recorded extensively for Blue Note, and performed or collaborated with Grant Green, Lou Donaldson, and John Zorn.
His music evolved to incorporate elements of modal and free jazz, without ever losing the basic, earthy groove that he brought to it from the beginning.
He wrote some classics and will be remembered fondly both by musicians and fans. His stellar work included “Funky Mama” and Along Came John. During the late 60s John recorded some very adventurous music for the Blue Note label with artists such as Harold Alexander and George Coleman on lps such as Understanding and Accent on the Blues. Of particular note on the early sessions recorded for Blue Note both under his own name and also with George Braith, Don Wilkerson and Lou Donaldson was the superlative empathy he developed with guitarist Grant Green and drummer Ben Dixon - an organ trio whose work in the soul jazz genre remains unsurpassed to this day.
Since the resurgence in interest in music from this period Blue Note has unearthed many sessions that lay in the vaults.
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Understanding
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Got A Good Thing Goin' On
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Let 'Em Roll
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Along Came John
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favdhelm
See also: Big John Patton.for another bio about one of the more laid back B3 players, great man, apart from 'big'
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