Live at Woodstock

Label
Legacy Recordings
Running length
32 tracks
Running time
181:50

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Tracklist

    Track     Duration Listeners
1 Introduction 2:21 29,574
1 Introduction (Live At Woodstock) (Live At Woodstock) 2:20 86
2 Message To Love (Live At Woodstock) 7:19 160
2 Message To Love 5:22 65,463
3 Hear My Train A Comin' 5:41 100,033
3 Hear My Train A Comin' (Live At Woodstock) 9:47 129
4 Spanish Castle Magic 5:09 123,655
4 Spanish Magic Castle (Live At Woodstock) 7:04 77
5 Red House (Live At Woodstock) 5:23 218
5 Red House 5:24 459,485
6 Lover Man 2:58 83,852
6 Lover Man (Live At Woodstock) 5:10 128
7 Foxey Lady (Live At Woodstock) 5:05 132
7 Foxey Lady 9:12 200,055
8 Jam Back At The House 7:44 15,901
8 Jam Back At The House (Live At Woodstock) 7:43 119
1 Izabella (Live At Woodstock) 6:40 139
1 Izabella 3:43 97,142
2 Fire (Live At Woodstock) 3:41 266
2 Fire 3:42 481,819
3 Voodoo Child (Slight Return) (Live At Woodstock) 13:36 119
3 Voodoo Child (Slight Return) 13:40 317,037
4 Star Spangled Banner (Live At Woodstock) 3:45 4,209
4 Star Spangled Banner 4:12 93,618
5 Purple Haze 3:32 718,999
5 Purple Haze (Live At Woodstock) 4:22 275
6 Woodstock Inprovisation (Live At Woodstock) 3:58 73
6 Woodstock Improvisation 3:59 24,237
7 Villanova Junction 4:28 25,487
7 Villanova Junction (Live At Woodstock) 4:27 149
8 Hey Joe 4:32 578,645
8 Hey Joe (Live At Woodstock) 5:51 324

About this album

Live at Woodstock is a posthumous live album by Jimi Hendrix released on July 6, 1999. The album documents Hendrix’s performance with his band Gypsy Sun and Rainbows at Woodstock Festival on August 18, 1969. Many of the tracks on this album were released in 1994 on Woodstock. Apart from the cover of “Gypsy Woman” (The Impressions) and “Mastermind”, both of which were sung by rhythm guitarist Larry Lee, Live at Woodstock contains the full set played by the band.

The recording, sound mix and the 1999 remix were completed by Eddie Kramer, who has pointed out that the conditions were primitive; in view of that, the result has been acclaimed, though the radical editing results in the group sound being reduced to a three piece of Hendrix, Cox and Mitchell. Lee, as noted above, and the two percussionists are essentially edited out of the mix. The original recording of the complete performance can be heard on several bootleg releases and the full group is clearly audible, notably on “Jam Back At The House” (aka “Beginnings”), where the volume of the two percussionists and Lee’s guitar are noticeably a part of the whole.

Hendrix’s psychedelic morning after pill was a gloriously unfocused affair, at times sprawling and tentative, at times like his “Star Spangled Banner,” timeless, brilliant and classic. At his most tentative that morning, playing with a newly assembled group, Hendrix was still in control, still exploding the limits on what one man can do with an electric guitar.
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