Band Of Gypsys
- Label
-
Legacy Recordings
- Running length
- 6 tracks
- Running time
- 45:27
Tags
Tracklist
| Track | Duration | Listeners | ||||
| 1 | Who Knows | 9:34 | 81,266 | |||
| 2 | Machine Gun | 12:36 | 121,599 | |||
| 3 | Changes | 5:10 | 68,461 | |||
| 4 | Power To Love | 6:54 | 47,326 | |||
| 5 | Message To Love | 5:22 | 65,448 | |||
| 6 | We Gotta Live Together | 5:51 | 63,497 |
About this album
✪ Jimi Hendrix — Band Of Gypsys ✪
Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on. The music was a seamless melding of rock, funk, and rhythm and blues, and tunes like Message to Love and Power to Love showed a new lyrical direction as well. Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances. His playing was focused and precise. In fact, for most of the set, Hendrix stood motionless, a far cry from the stage antics that helped establish his reputation as a performer. Equipment problems had plagued him in past live shows as well, but everything was perfect for the Fillmore shows.
Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on. The music was a seamless melding of rock, funk, and rhythm and blues, and tunes like Message to Love and Power to Love showed a new lyrical direction as well. Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances. His playing was focused and precise. In fact, for most of the set, Hendrix stood motionless, a far cry from the stage antics that helped establish his reputation as a performer. Equipment problems had plagued him in past live shows as well, but everything was perfect for the Fillmore shows.
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