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Jesse Lafser has had Land in Sight for eight years now. That’s how long she’s lived in the Music City of Nashville, a town of considerable charm but nothing in the way of oceans. If she came for the water, then she, like Humphrey Bogart’s Casablanca character, was misinformed.

Named after a Thomas Hart Benton painting of a woman playing guitar, Lafser is rarely misinformed and often informative. Her latest album, Land In Sight, is a gentle… read more

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