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A powerful and vastly underrated avant-garde alto saxophonist, Jemeel Moondoc blended the free-form melodic thought of Ornette Coleman and the sharp edge of Jackie McLean or Charles Tyler with the sort of ferocious "energy playing" usually reserved for tenorists. Moondoc began playing piano as a child, studied clarinet and flute, and settled on alto around age 16; he subsequently studied with Cecil Taylor at various colleges in the early '70s. In 1972, he moved to New York, where he formed… read more

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