Jean-Philippe Rameau
303,982 plays (56,254 listeners)
Rameau’s music is characterised by the exceptional technical knowledge of a composer who wanted above all to be renowned as a theorist of the art. Nevertheless it is not solely addressed to the intelligence and Rameau himself claimed “I try to conceal art with art”. The paradox of this music was that it was new, using techniques never known before, but it took place within the framework of old-fashioned forms; Rameau appeared revolutionary to the Lullystes, disturbed by the complex harmony of his music, and reactionary to the “philosophes” who only paid attention to its content and who either would not or could not listen to the sound it made. The incomprehension he received from his contemporaries stopped Rameau repeating such daring experiments as the second Trio des Parques in Hippolyte et Aricie, which he was forced to remove after a handful of performances because the singers were unable to interpret it correctly. So the greatest harmonist of his era went unrecognised at the very time that harmony - the “vertical” aspect of music - was taking precedence over counterpoint, which represented its “horizontal” aspect.
Top Albums
Top Tracks
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Ouverture
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L'entretien des Muses
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La Laborde
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Air de mussette
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La Livri
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L'Indifferente / Indifference
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I. Allemande
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Sarabande
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Act III Scene 1: Ritournelle et Air (Pollux)
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Air vif
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La Dauphine
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Tambourin
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Ritournelle
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II. Les Niais de Sologne and two Doubles
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Videos
Events
- Nov 22 Ein Gitarrenfest in Wien Camineum-Saal, Österr. Nationalbibliothek/Hofburg, Vienna, Austria
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