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Jean-Claude Vannier
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Jean-Claude Vannier (b. 1943, Bécon-les-Bruyères, Courbevoie, France) is a composer and arranger.
He was particularly prominent as an associate to Serge Gainsbourg in arranging scores for film in the later 1960s, though he later was to become a solo recording artist in his own right. His musical style was influenced by jazz, baroque, klezmer, oriental and rock forms, culminating in a unique attitute towards composition, fuelled by a taste for ‘the wrong side of the music, the wrong notes.’ He was originally a producer, but was demoted from the commercially important side of the business, instead being forced to produce for Arabic clients. This was, according to Vannier, an opportunity to explore further the musical genres he had formed a keen interest in.
He moved on to work as an arranger for Brigitte Fontaine, Johnny Halliday and Michel Polnareff, before being approached by Gainsbourg after the latter’s association with Alain Goraguer had disintegrated. He then composed the scores for a couple of films in which Gainsbourg was the principal actor- Pierre Koralnik’s ‘Cannabis’[1] and André Cayatte’s ‘Les chemins de Katmandou’. Perhaps his most popular contribution to music, in the English-speaking world at least, was the arranging of the orchestra and chorus for Gainbourg’s landmark album ‘Histoire de Melody Nelson’[2], a concept piece based around a funk rhythm section with a string and chorus accompaniment. Shortly afterwards, in 1972, Vannier’s first full solo album, a conceptual ballet entiltled ‘L’Enfant assassin des mouches’ (‘The child killer of the flies’)[3] (listen [1]), was released on a little-known French label called ‘Suzelle’.
He was particularly prominent as an associate to Serge Gainsbourg in arranging scores for film in the later 1960s, though he later was to become a solo recording artist in his own right. His musical style was influenced by jazz, baroque, klezmer, oriental and rock forms, culminating in a unique attitute towards composition, fuelled by a taste for ‘the wrong side of the music, the wrong notes.’ He was originally a producer, but was demoted from the commercially important side of the business, instead being forced to produce for Arabic clients. This was, according to Vannier, an opportunity to explore further the musical genres he had formed a keen interest in.
He moved on to work as an arranger for Brigitte Fontaine, Johnny Halliday and Michel Polnareff, before being approached by Gainsbourg after the latter’s association with Alain Goraguer had disintegrated. He then composed the scores for a couple of films in which Gainsbourg was the principal actor- Pierre Koralnik’s ‘Cannabis’[1] and André Cayatte’s ‘Les chemins de Katmandou’. Perhaps his most popular contribution to music, in the English-speaking world at least, was the arranging of the orchestra and chorus for Gainbourg’s landmark album ‘Histoire de Melody Nelson’[2], a concept piece based around a funk rhythm section with a string and chorus accompaniment. Shortly afterwards, in 1972, Vannier’s first full solo album, a conceptual ballet entiltled ‘L’Enfant assassin des mouches’ (‘The child killer of the flies’)[3] (listen [1]), was released on a little-known French label called ‘Suzelle’.
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L'enfant assassin des mouches
Jean-Claude Vannier
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L' Enfant Assasin des Mouches
Jean-Claude VannierBuy- Download Album
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Histoire de Melody Nelson
Jean-Claude VannierBuy- Download Album
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Top Tracks
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Danse Des Mouches Noires Gardes du Roi
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L'enfant Au Royaume Des Mouches
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L'enfant la Mouche et les Allumettes
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Le Papier Tue-Enfant
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Danse de L'enfant et du Roi Des Mouches
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L'enfant Assassin Des Mouches
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Pattes de Mouches
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| 9 |
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Mort du Roi Des Mouches
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Le roi des mouches et la confiture de rouse
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Petite Agonie de L'enfant Assassin
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Le Roi Des Mouches
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Shoutbox
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xDanx1 wrote:
First time I listen to him---->Love at first hearing!
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interdetka wrote:
Jean-Claude Vannier's shoutbox is not empty at all.
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oneEyedZed wrote:
thats just amazing how that guy arranges strings with groovy rock , still sounding so fresh.
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padrastro wrote:
ohhhhh ohhh ohhh
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moreaupat wrote:
"L'enfant assassin des mouches" is one piece of genius....wow...i dont know how to tag it but experimental.
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RichMahogany wrote:
why isn't funk rock post rock string orchestra its own genre... for fucks sake!
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Space_Cat wrote:
criminally under-listened-to
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totallymorgan wrote:
where can I get this guys self titled album, or Interprete les musiques de Georges Brassens I've been looking forever
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andruini wrote:
jean-claude vannier is the father of music.
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gertietheduck wrote:
moving and beautiful
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f_bardamu wrote:
groovy and beautifull
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egebamyasi wrote:
strange and beautiful
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ram434 wrote:
Jean-Claude Vannier's shoutbox is not empty.
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Recent Activity
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pseudonrrrd and CrackRawkSteady added Jean-Claude Vannier to their libraries. Wednesday morning
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brazzk tagged Jean-Claude Vannier with progressive rock, experimental and psychedelic. 12 days ago
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SerpentLazarus added Jean-Claude Vannier to SerpentLazarus’s library. 23 days ago
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PearlKyoudai tagged Jean-Claude Vannier with baroque pop, funk rock and experimental. 26 days ago
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mandrak2000 wrote about Various Artists – Prog Is Not a Four Letter Word in Over All Top Album. last month
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brazzk, mattcain and jonorehea added Jean-Claude Vannier to their libraries. last month
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seraphickat tagged Jean-Claude Vannier with psychedelic rock, avant-garde, la decadanse and 2 other tags. August 2009
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ib3323, pollyrhythmic, andrezilli and 3 other people added Jean-Claude Vannier to their libraries. August 2009
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xxxgabriel added Jean-Claude Vannier to the lineup of Gainsbourg Imperial at SESC Pinheiros. August 2009
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xxxgabriel added Jean-Claude Vannier to the lineup of Gainsbourg Imperial at SESC Pinheiros. August 2009
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