James P. Johnson
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James P. Johnson (James Price Johnson, also known as Jimmy Johnson, February 1, 1894 – November 17, 1955) was an American pianist and composer.
A pioneer of the stride style of jazz piano, he along with Jelly Roll Morton, were arguably the two most important pianists who bridged the ragtime and jazz eras, and the two most important catalysts in the evolution of ragtime piano into jazz. As such, he was a model for Count Basie, Duke Ellington, Art Tatum and his more famous pupil, Fats Waller.
Johnson composed many hit tunes including the theme song of the Roaring Twenties, “Charleston” and “If I Could be With You One Hour Tonight” and remained the acknowledged king of New York jazz pianists until he was dethroned c. 1933 by the recently arrived Art Tatum, who is widely acknowledged by jazz critics as the most technically proficient jazz pianist of all time. Johnson’s artistry, his significance in the subsequent development of jazz piano, and his large contribution to American musical theatre, are often overlooked, and as such, he has been referred to by Reed College musicologist David Schiff, as “The Invisible Pianist”.
Johnson was born in New Brunswick, New Jersey, United States. The proximity to New York meant that the full cosmopolitan spectrum of the city’s musical experience, from bars, to cabarets, to the symphony, were at the young Johnson’s disposal. In 1908 his family moved to the San Juan Hill (near where Lincoln Center stands today) section of New York City. With perfect pitch and excellent recall he was soon able to pick out on the piano tunes that he had heard.
A pioneer of the stride style of jazz piano, he along with Jelly Roll Morton, were arguably the two most important pianists who bridged the ragtime and jazz eras, and the two most important catalysts in the evolution of ragtime piano into jazz. As such, he was a model for Count Basie, Duke Ellington, Art Tatum and his more famous pupil, Fats Waller.
Johnson composed many hit tunes including the theme song of the Roaring Twenties, “Charleston” and “If I Could be With You One Hour Tonight” and remained the acknowledged king of New York jazz pianists until he was dethroned c. 1933 by the recently arrived Art Tatum, who is widely acknowledged by jazz critics as the most technically proficient jazz pianist of all time. Johnson’s artistry, his significance in the subsequent development of jazz piano, and his large contribution to American musical theatre, are often overlooked, and as such, he has been referred to by Reed College musicologist David Schiff, as “The Invisible Pianist”.
Johnson was born in New Brunswick, New Jersey, United States. The proximity to New York meant that the full cosmopolitan spectrum of the city’s musical experience, from bars, to cabarets, to the symphony, were at the young Johnson’s disposal. In 1908 his family moved to the San Juan Hill (near where Lincoln Center stands today) section of New York City. With perfect pitch and excellent recall he was soon able to pick out on the piano tunes that he had heard.
Top Tracks
Top Albums
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Snowy Morning Blues
16,722 listeners20 tracks
Released:
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The Dean
8,113 listeners23 tracks
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Piano Jazz Classics
503 listeners20 tracks
Released:
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The Original James P. Johnson 1942-1945
504 listeners20 tracks
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