Having seemingly reached the same conclusion as peer and colleague Michael Mayer in his assertion that “Everything has been said as far as minimal techno goes . . .”
(as early as 1992, he stated his intent as to make acid house with the spirit of pop), the Modernist’s melodic minimalism is steeped with perfectly poised guitar harmonics and meticulously placed vocals. Despite this fondness for “classic pop”, Burger describes 1988 the year acid house overtook the dance-floors of Europe, as his year zero. 2 years later he had released his first tracks via Thomas Fehlmann’s Teutonic Beats compilation. One year beyond this, he founded the Trance Atlantic and Monochrome labels, releasing tracks by permutations of himself and his friend & partner Wolfgang Voigt aka Mike Ink. Immersed in this electronic music culture, Burger founded the Cologne department of the Delirium record store (which was to subsequently mutate into Kompakt) and the Eat Raw label and ran a magazine, House Attack.
In ´95 he took part in the relaunch of the Harvest Label on EMI Germany, where he released the highly acclaimed albums The Bionaut: Lush Life Electronica and Burger /Ink : Las Vegas (together with Wolfgang Voigt).
The peak of the label was reached in ´97, when Burger started his new project The Modernist with the album Opportunity Knox.
2 years & several releases later, Burger left Harvest to start his own label with Sony
music. Burger was to subsequently birth the Popular Organization, the umbrella organization for the Popular Sound, Popular Music and Popular Tools imprints, the latter of which released his The Modernist Explosion 1999.
The album was licensed & re-released in an expanded version by Matador Records, US under the modified title Explosion 2000. Matador before released the classic Burger/Ink album Las Vegas in the US.
The ensuing Kangmei from 2003 included a track entitled “Protest Song” and Burger was seemingly making a protest/political assertion in giving his release a title that translated as “resist America”. In fact it was a further variation on the everlasting ambiguity of his relation to America as an artist.
2004 saw his return to his friends and former partners from Kompakt, where he released the listening album Triola im Fünftonraum, a state-of-the-art update of his musical concepts as the Bionaut through the 90s.
In early 2006 the Kompakt Studios were built and Burger´s now working alongside Reinhard & Wolfgang Voigt, Jürgen Paape, Michael Mayer & Superpitcher.
Edited by KompaktRecords on 26 Jul 2010, 14:14
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