Ian Stuart
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Ian Stuart – Fight the Poison
Biography
Stuart was born in Poulton-le-Fylde and was brought up in Blackpool, where he formed the band Skrewdriver in 1976. Skrewdriver was formed from the ashes of Tumbling Dice (a covers band who played material by The Rolling Stones, Free and The Who), and was inspired by Ian seeing the Sex Pistols play in Manchester. Skrewdriver at first had a punk image, and then they experimented with their look before eventually adopting the skinhead image. The original band had a reputation for attracting violence at their concerts (Bob Geldof was reportedly knocked unconscious at one Skrewdriver show), but they did not openly support any political party.
[1][2]
Stuart as a punk (1977).
Stuart as a punk (1977).
Although both Skrewdriver and the band Sham 69 had skinhead followings and racist fans early in their careers, Skrewdriver failed to get the same mainstream promotion that Sham 69 did, possibly because unlike Skrewdriver, Sham 69 denounced their racist fans, and even performed at Rock Against Racism concerts. [3][4]
After the original Skrewdriver lineup parted ways in 1979, Stuart reformed the band and began to write for a white power skinhead audience, receiving a great deal of promotion from the far right. The new Skrewdriver was openly supportive of extreme right-wing groups such as the National Front and Combat 18, raising funds for them (and affiliated organizations) through their White Noise Records label. As a result, Skrewdriver became known for racism, patronizing the white nationalist political agenda, and helping to pioneer programs such as Rock Against Communism.
Stuart as a punk (1977).
Stuart as a punk (1977).
Although both Skrewdriver and the band Sham 69 had skinhead followings and racist fans early in their careers, Skrewdriver failed to get the same mainstream promotion that Sham 69 did, possibly because unlike Skrewdriver, Sham 69 denounced their racist fans, and even performed at Rock Against Racism concerts. [3][4]
After the original Skrewdriver lineup parted ways in 1979, Stuart reformed the band and began to write for a white power skinhead audience, receiving a great deal of promotion from the far right. The new Skrewdriver was openly supportive of extreme right-wing groups such as the National Front and Combat 18, raising funds for them (and affiliated organizations) through their White Noise Records label. As a result, Skrewdriver became known for racism, patronizing the white nationalist political agenda, and helping to pioneer programs such as Rock Against Communism.
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