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I am the Mighty Jungulator



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I Am The Mighty Jungulator (the band Private Eye magazine called ‘immortal’) extend the parameters of what you can do with live sample processing using the generative potency of our audio engine (also called I Am The Mighty Jungulator, and described as ‘the sonic philosophers stone’ by future music magazine). After ages of heavy programming, sobbing, sulking and shouting , I Am The Mighty Jungulator finally does what it says on the tin and delivers that rare electro-acoustic-interplay-of-analogue-digital-with-zero-latency that we were always promising (fingers, strings, and wood, captured and instantly shaped into glistening electronic textures and that). Within this new responsive, improvised continuum thingy, the band (if you can call it a band) are free to steer the music in any number of structured or random directions (like riding a drugged bull across a building site), whilst the jungulator keeps everything in tune and in time. The only problem being that the music evolves faster than we can record it (its like that cake the womens institute make that keeps growing in your fridge). The phenomenal live-sampling power was unveiled at Joanna McGregors’ re-vamped Bath International Music Festival on 2nd June 2006, since when we’ve been jigging and gigging around and about, doing a few re-scores here, a handful of festivals there, little boutiquey tings over yonder.

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