I LIKE TRAINS
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I LIKE TRAINS – When We Were Kings
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Leeds, United Kingdom (2004 – present)
Although previously believed to be an incorrect artist tag for iLiKETRAINS, from October 2008 the Leeds group decided to change their name to I LIKE TRAINS.
I LIKE TRAINS have flourished within Leeds’ fertile music scene since their inception in 2004 and have seen their intelligent, thought-provoking and quintessentially British world embraced by a growing following the world over. The NME descried them as ‘brilliant, unique, wry… at odds with pop’s present trends. ’ Uncut Magazine referred to them as ‘Bold and Impressive’, and the Guardian cast them as ‘Intelligent, very dark humorists… grand civic music, less to be listened to and more to be visited like a museum or war memorial, and all the more interesting because of it.’ The widescreen nature of their music has found them in demand for film and television soundtracks, their recent syncs include the ever popular CSi: Miami and trailers for Hollywood films The Wrestler, Amelia and Beautiful Boy.
Due for release on May 7th 2012, The Shallows explores our relationships with technology. Set to a dark motorik pulse and haunted by machines, production duties were handed to Richard Formby, celebrated for his work on the Mercury nominated ‘Two Dancers’ by Wild Beasts. ‘The Shallows’ deals with themes of information overload, charts a history of how our tools have shaped us, and asks how our recent reliance on digital technology to obtain information has changed the way we think and retain knowledge.
I LIKE TRAINS have flourished within Leeds’ fertile music scene since their inception in 2004 and have seen their intelligent, thought-provoking and quintessentially British world embraced by a growing following the world over. The NME descried them as ‘brilliant, unique, wry… at odds with pop’s present trends. ’ Uncut Magazine referred to them as ‘Bold and Impressive’, and the Guardian cast them as ‘Intelligent, very dark humorists… grand civic music, less to be listened to and more to be visited like a museum or war memorial, and all the more interesting because of it.’ The widescreen nature of their music has found them in demand for film and television soundtracks, their recent syncs include the ever popular CSi: Miami and trailers for Hollywood films The Wrestler, Amelia and Beautiful Boy.
Due for release on May 7th 2012, The Shallows explores our relationships with technology. Set to a dark motorik pulse and haunted by machines, production duties were handed to Richard Formby, celebrated for his work on the Mercury nominated ‘Two Dancers’ by Wild Beasts. ‘The Shallows’ deals with themes of information overload, charts a history of how our tools have shaped us, and asks how our recent reliance on digital technology to obtain information has changed the way we think and retain knowledge.
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When We Were Kings
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