NOISE project “Hum Of The Druid”, the idea of Seattle’s digital composer Eric Stonefelt, debuted with the mini-albums Amphibia (2004), Wall Of Arms (2004) and Frozen Tropics (2005), that were still relatively melodic dark ambient music. The fragmented Mountainous (2005) and the more refined Trials (2005) signaled a turn towards expressionist noise, that peaked with the obsessive reverb-drenched suites of Societal (2005). The multi-faceted abrasive drones of Raising The New Wing/Braided Industry (2008) climbed another plateau of violence, and sounded like the stream of consciousness of the industrial society.

Edited by Eduard-Limonov on 17 Sep 2013, 15:41

All user-contributed text on this page is available under the Creative Commons Attribution/Share-Alike License.
Text may also be available under the GNU Free Documentation License.


Generated from facts marked up in the wiki.

No facts about this artist

You're viewing version 4. View older versions, or discuss this wiki.

You can also view a list of all recent wiki changes.

More Information

From other sources.