Hesus Attor
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Biography
Rijeka, Croatia (2003 – present)
In the harbour town of Rijeka, Croatia a small group of lovers of fast food and the local cuisine has given birth to a surrealistic monster which they have named Hesus Attor. They have equipped it with what they have read in comic books and seen in horror movies, but above all with a classic set of instruments every metal, rock, punk, hardcore or crossover band must have. The outcome is spectacular: a mixture of parody, schizophrenia and the absurd.
Between 2003 and 2005 Hesus Attor experimented with many musical genres, in the beginning as an instrumental trio. They self-released the results of their experiments calling their label Izdali Smo Metal (We Betrayed Metal). After Monade i dišpeti (2003) and Vamonos Todos (2005) the group of gourmands consisting of Juan Pablo Pe De Rigad, Senor José and Digitus were joined by singer El Cathedralico who gave the monster a voice. In the summer of 2006 they released Green Feathers and Canaries, a mini-album which made the listener realize that the guys were being serious. This was even more audible on stage. Squeezing genre after subgenre, jumping from the developed to the undeveloped, from smoky ethno to sweaty heavy metal they rose from anonymity and made the earth shake in Kvarner, their home region, and elsewhere.
The shockwaves were perceived by Mr. Moonlee (Moonlee Records) who could not help himself but widen his colourful clan by those who “have betrayed metal”.
Between 2003 and 2005 Hesus Attor experimented with many musical genres, in the beginning as an instrumental trio. They self-released the results of their experiments calling their label Izdali Smo Metal (We Betrayed Metal). After Monade i dišpeti (2003) and Vamonos Todos (2005) the group of gourmands consisting of Juan Pablo Pe De Rigad, Senor José and Digitus were joined by singer El Cathedralico who gave the monster a voice. In the summer of 2006 they released Green Feathers and Canaries, a mini-album which made the listener realize that the guys were being serious. This was even more audible on stage. Squeezing genre after subgenre, jumping from the developed to the undeveloped, from smoky ethno to sweaty heavy metal they rose from anonymity and made the earth shake in Kvarner, their home region, and elsewhere.
The shockwaves were perceived by Mr. Moonlee (Moonlee Records) who could not help himself but widen his colourful clan by those who “have betrayed metal”.
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