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Amid an angular web of bubble wrap and bottle cap beats, Bristol musician and former student of the classical avant-garde, Hazel Mills, plays her looper like a beloved old parlour piano, fluidly flexing across its array of dials, faders and footswitches. Her immaculate poise and posture is only outshone by the beguiling layers of vintage organ tones, wonky pianos, junk shop percussion and haunting vocal loops she creates. Whether playing solo or with her band, her live shows leave audiences… read more

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