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[b][2][/b] Experimental and mostly electronic music duo from Finland. [b][2][/b] Experimental and mostly electronic music duo from Finland.
-[b][3][/b] Hands were a [tag]progressive rock[/tag] band of the late 1970's, and had three albums, two of which were released retrospectively in the 90's. Self titled debut 'Hands' was released in 1977, 'Palm Mystery' in 1999 and "Twenty Five Winters" in 2002.+[b][3][/b] Hands are a [tag]progressive rock[/tag] band of the late 1970's, and has four albums, two of which were released retrospectively in the 90's. Self titled debut 'Hands' was released in 1977, 'Palm Mystery' in 1996, "Twenty Five Winters" in 2002 and "Strangelet" in 2008.
-[b][4][/b] A mystic ramshackle DYI psych outfit from bedrooms in Paris, TX. Hands are on the Paxico Records label, with a rotating cast of players: jon royale, gladiola, cassia, gary dubriel, emily strand, david steinman. Their first releases surfaced in 2008 and 2009.+[b][4][/b] A mystic ramshackle DYI psych outfit from bedrooms in Paris, TX. Hands are on the Paxico Records label, with a rotating cast of players: Jon royale, gladiola, cassia, Gary Dubriel, Emily Strand, David Steinman. Their first releases surfaced in 2008 and 2009.
[b][5][/b] Norwegian electro-pop duo HandS - Hakon and Sofie. [b][5][/b] Norwegian electro-pop duo HandS - Hakon and Sofie.

Sources 14, 26 Mar 2012, 21:29 Sources 15, 9 Apr 2012, 00:55

Current Version (version 18, 14 Feb 2014, 16:26)

1) Hands is the drone/noise side-project of Swedish producer Axel Willner, aka The Field. 2) Hands makes music like a rip tide, swirling in overlapping loops and riffs, slowly enveloping you. The group’s members – Geoff Halliday, Ryan Sweeney, Sean Hess and Alex Staniloff – craft their hypnotic sound from a single dropping note that builds into a reverberating roar that crashes over you like a wave. It’s a mesmerizing trick that they pull off on their debut LP, Synesthesia. Building off the success of their Massive Context EP (Small Plates) released in 2012 and a 7” to be released on White Iris in January, songs like “Videolove” and “Trouble” show Hands’ innate ability to blend instruments and electronics into a deep texture that moves ethereally through genres. Hands moves from rock to synth-pop to skyrocketing stadium anthem, often within the same song. The interplay of Sweeney’s esoteric guitar riffs, Hess’ technical tempos, Staniloff’s thumping bass and Halliday’s soaring vocals and affected keyboards help Hands build a dynamic atmosphere, where a lesser band would only manage empty atmospherics. A relative newcomer to the LA scene, Hands began as a two-piece from Philadelphia before Halliday and Sweeney headed west and added the low and thump of Hess and Staniloff. The band made a mark on the scene immediately, quickly playing packed shows across the country including stops at SXSW, CMJ and Deluna Fest, headlining Echo Park Rising, sessions with Daytrotter, and a west coast jaunt with Maps and Atlases. Hands’ ability to win over fans with their feverish live show and dance-party-ready sound has already earned them opening spots for the likes of Deerhoof, DeVotchKa, Foster the People, and Kimbra as well as playing shows to sold out crowds at venues across LA. For now, Hands’ graceful and danceable indie rock is still under the radar, as evidenced by their spot in TIME Magazine’s “11 Bands You Don’t Know (But Should)” List, but they are quickly rising to the surface, bringing their melodies and thumping beats with them. Over the past year, Hands has built a devoted following for their evolving palette of sounds, soaring melodies, and complex looping song structures. With overwhelming responses to first listens of the record and Hands hitting the road for most of 2013, surely this is the year that Hands will start to make waves. Big big waves.