Hail Social
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Hail Social – Hands Are Tied
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Hail Social is a quartet, though sometimes a trio. Philadelphia is their home base, though some of the guys live in nearby Jersey. Their self-titled debut is brand new to the world, though it feels old to them, of course. It all started with the chance workplace friendship of Dayve Hawk and Matt Maraldo. Hawk had been writing songs for years but was reluctant to share them. Eager to start a band, Maraldo kept on pestering. “We fought a lot because I didn’t want to be in a band,” says Hawk. “But eventually he won.”
Good thing, too. Otherwise we’d have missed out on Hail Social’s lithe, dance-damaged tunes. The same tunes that scored the band a prime opening slot on tour with Interpol and the Secret Machines. The same tunes that will haunt you more persistently with each spin of the band’s long-awaited proper debut.
Following four demos and a 7-inch, the album was recorded in Philly with producer Brian McTear (Burning Brides, matt pond PA). The lineup goes like this: Hawk handles guitar and vocals, Maraldo plays drums, and Dan Henry plays bass, with Richie Roxas playing second guitar live. “Hands Are Tied” introduces the band perfectly, with Hawk’s meticulous melodies riding that sleek wave of a rhythm section. Like every song that follows, it’s lean and brisk, bearing not one superfluous note. But wait. There’s something sinister brewing under those bouncy bass lines.
Good thing, too. Otherwise we’d have missed out on Hail Social’s lithe, dance-damaged tunes. The same tunes that scored the band a prime opening slot on tour with Interpol and the Secret Machines. The same tunes that will haunt you more persistently with each spin of the band’s long-awaited proper debut.
Following four demos and a 7-inch, the album was recorded in Philly with producer Brian McTear (Burning Brides, matt pond PA). The lineup goes like this: Hawk handles guitar and vocals, Maraldo plays drums, and Dan Henry plays bass, with Richie Roxas playing second guitar live. “Hands Are Tied” introduces the band perfectly, with Hawk’s meticulous melodies riding that sleek wave of a rhythm section. Like every song that follows, it’s lean and brisk, bearing not one superfluous note. But wait. There’s something sinister brewing under those bouncy bass lines.
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