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Like Robert Henke, Keith Fullerton Whitman, or Christopher Willits, Gregory Taylor takes on the problem of developing new ways to originate music by setting aside typical compositional / improvisational techniques in favor of developing new technologies capable not only of generating sound, but of creating music. Here he unifies the practice of synthesis, sampling, processing and looping into a single, simultaneously occurring stream of events that the listener perceives in the same living moment in which the composer creates. The resulting… read more

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